Colette Mars

Marceau Léonetti, un oficial de policía enérgico y competente, arresta al hijo de un famoso abogado, que conducía bajo los efectos del alcohol. Pocos meses después, el abogado acusa falsamente al policía de ser un violento incompetente, como venganza por haber arrestado a su hijo. Como castigo, el policía es destinado a una pequeña comisaría de barrio, donde tendrá a una bella novata como compañera. Pronto, sus superiores tendrán que recurrir a él para que resuelva un complicado asunto .

Lisa, fotógrafa de modas, mantiene un romance con un hombre casado. Ambos saben que la relación no les obliga sino a pasarlo bien. Cuando él atraviesa una delicada situación familiar provocada por la aventura de su hija con un hombre mucho mayor, Lisa comprende lo enamorada que está y lo poco que puede esperar de él. (FILMAFFINITY)

A female journalist beats two male rivals to a scoop by exposing a white slave racket going on right in 50s Paris.

La Garçonne is a 1957 French film directed by Jacqueline Audry. It follows Monique, an ingenue and a clueless girl who believes in true love. When she discovers her future husband has a lover, she rebels against her bourgeois life:s he will lead a free and wild life and she will live like a man. Soon she becomes the toast of Gay Paris, sleeping with all the men around, and even with a woman.

El joven periodista Louis Commandeur multiplica las intrigas y las traiciones con tal de lograr sus propósitos.

André Garnier, a young pianist, who was sent to deportation following a denunciation, absolutely wants to find his informer. He falls in love with Hélène, the mistress of a wealthy industrialist, Bernier, in whom he soon discovers the man who once sold him to the Gestapo. Bernier is soon found murdered. André deflects suspicion on Jacques, the victim's secretary. Hélène and André's affair ends up being discovered by the police, who seem to see in it the motive for the crime. André surrenders to justice.

Shortly before the War, Jan Lazlo, a Hungarian musician who has emigrated to France, falls for a young woman. Alas, the lady forsakes him and the poor man tries to overcome his grief by writing "Gloomy Sunday", a song so desperate that it can drive its listeners to suicide. Max, a music publisher, likes the song and decides to launch it by all means, foul or fair. Bob, his accomplice, manages to talk his mistress Michèle into committing a fake suicide. She obeys him and the scheme is a success as a result. On this occasion, Jan gets to know Michèle and the two young people fall in love. Happiness seems to be in store for Jan again but this is without counting with Bob. Jealous of Jan, the naughty fellow indeed tells him that Michèle's attempted suicide was nothing but an advertising pretense.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

Portrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.