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Documentary following Olly Williams and Suzi Winstanley, two unique wildlife artists who simultaneously work on the same painting of exotic and endangered animals while on location in the wildest corners of the world. The film shows how they work and why what they do is so important.
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Corría el año 1977, durante uno de los veranos más agitados y decadentes que haya vivido Nueva York. Fue entonces cuando, en medio de apagones, desórdenes callejeros, los asesinatos en serie del ‘Hijo de Sam’ y el auge de la legendaria discoteca Estudio 54, se produjo un prodigio de inspiración absolutamente inesperado: el ascenso del Cosmos de Nueva York, el primer gran equipo norteamericano de fútbol, y de su superestrella Pelé. Adorado de la noche a la mañana por una ciudad obsesionada con la fama y el éxito, el Cosmos encendió la llama del primer amor pasional de Norteamérica con el deporte más popular del planeta. Arrastrado, sin embargo, por el torrente imparable de la fama, el glamour y el desenfreno, el Cosmos encontró su destrucción.
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In the mid-1990s, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomenon, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.
