Maurice Capovila

An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Private eye Peixoto tries to hunt down hunk Sebastian and gets more involved in the case than he expected. Brazilian musical comedy inspired by the Film Noir genre and re-interpreting the old sambas of famous composer Lupicinio Rodrigues into a gay universe.

Private eye Peixoto tries to hunt down hunk Sebastian and gets more involved in the case than he expected. Brazilian musical comedy inspired by the Film Noir genre and re-interpreting the old sambas of famous composer Lupicinio Rodrigues into a gay universe.

A documentary on prolific underground Brazilian filmmaker Rogério Sganzerla.

A failed artist searching strength to move ahead. By a young lady, who might be his daughter, he develops a project that changes his destiny.

A failed artist searching strength to move ahead. By a young lady, who might be his daughter, he develops a project that changes his destiny.

Rio de Janeiro is a city of very well defined contrast between the seafront, narrow, where the rich live and very close, the hills with their slums, where life changes very quickly in the short space of time.

The dreams and problems of three friends: Malagueta, an inveterate gambler; Perus, former factory worker who abandoned the assembly line to earn his living at the billiards; and Bacanaço, trickster who puts on chic airs, always dreaming of performing the ultimate big swindle.

The dreams and problems of three friends: Malagueta, an inveterate gambler; Perus, former factory worker who abandoned the assembly line to earn his living at the billiards; and Bacanaço, trickster who puts on chic airs, always dreaming of performing the ultimate big swindle.

A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.

A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.

In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.

Neglected wife tells husband about mysterious deaths occurred by the influence of Iemanjá, Afro-Brazilian deity, goddess of the waters

Segment "Prólogo": interviews and scenes with some of the most important filmmakers of the "Boca do Lixo" of São Paulo. Segment "A Badaladíssima dos Trópicos x Os Picaretas do Sexo": shenanigans of a troubled fictional film production. Segment "Amor 69": Actress Maria Vargas is expected to appear nude in a scene, but ultimately refuses to do so.

The story of a fakir who works in a decadent circus. He and his colleagues do weirder numbers each day to attract audience, and warrant their survival. The numbers resemble a horror-show and they get marginalized. Through fable and allegory, reality turns stronger and stronger, and more absurd.

The story of a fakir who works in a decadent circus. He and his colleagues do weirder numbers each day to attract audience, and warrant their survival. The numbers resemble a horror-show and they get marginalized. Through fable and allegory, reality turns stronger and stronger, and more absurd.

Psychiatrist experiments LSD on 4 volunteers, to investigate Coffin Joe's influence over them. Each patient presents a different reaction, involving sex, perversion and sadism.

In the late 1960s, Thomas Farkas imported equipment suitable for direct sound, and released a collection of documentaries called "Brasil Verdade" ("True Brazil"), after the Military Coup d'État took place in Brazil, which happened without any popular resistance or revolution or reaction of the society. The five short films are directly related to this fact and its consequences to the country.

La historia de un famoso criminal brasileño, llamado The Red Light Bandit porque siempre usaba una linterna roja para irrumpir en las casas durante la noche. Trabajando solo, también solía violar a sus víctimas femeninas.

University student who works in a bank experiences a personal crisis: he is torn between his ambitions and the temptation to engage in the armed movement against the military dictatorship of the time, in Brazil. At the same time, his love life is also confusing: he is unable to choose between two girls: an apolitical rich one, whose main interest is her own sexual liberation; and a working girl with family problems.

Poor and beautiful girl is hired by a sales promoter to advertise a new brand of soap. The success is immediate, but the need for a new face hinders her way to stardom.

Poor and beautiful girl is hired by a sales promoter to advertise a new brand of soap. The success is immediate, but the need for a new face hinders her way to stardom.

The practices of football in Brazil and the issues surrounding the sport. Press, players as a commodity, the popular passion, the practice on the fields of várzea. The statements of Luiz Carlos de Freitas, a young promise of Palmeiras, and Feola's coach, as well as an interview with Pelé.

Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.

A year in the life of a samba school, from the first rehearsals to the parade on the avenue.