Sarah Gavron

Una joven adolescente se encuentra luchando por cuidar de sí misma y de su hermano menor después de ser abandonada por su madre soltera sin más remedio que vivir en las calles.

Una joven adolescente se encuentra luchando por cuidar de sí misma y de su hermano menor después de ser abandonada por su madre soltera sin más remedio que vivir en las calles.

“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.

Cuenta la historia de las sufragistas inglesas en los albores de la Primera Guerra Mundial. La mayoría de estas mujeres no venían de clases altas, sino que eran mujeres trabajadoras que veían cómo sus protestas pacíficas no servían para nada. Radicalizadas y volviendo su lucha cada vez más violenta, estaban dispuestas a perderlo todo en su búsqueda incansable de la igualdad: sus trabajos, sus casas, sus hijos y sus vidas. Esta es la historia de Maud (Carey Mulligan), una de estas mujeres, y de su lucha por la dignidad y la de sus compañeras.

Village At The End Of The World is a witty, surprising and ultimately feel good portrait of an isolated village of 59 people and 100 sledge dogs, surviving against the odds.

The grind of daily life as a Brick Lane Bangladessi as seen through the eyes of Nazneen (Chatterjee), who at 17 enters an arranged marriage with Chanu (Kaushik). Years later, living in east London with her family, she meets a young man Karim (Simpson).

A powerful one-off drama written by Rosemary Kay , winner of the BBC's Dennis Potter award for new screenwriting. Sadie and Richie MacGregor are thrown into the terrifying world of neo-natal intensive care when their son Luke is born prematurely. Willed on by his desperate parents, he gradually grows in strength - but as Sadie develops a unique bond with her son, her relationship with Richie begins to suffer.

A girl working as a hotdog server in a Scottish Highlands lay-by dreams of going to New York.