Producer
Director Manuel Mozos draws an intimate portrait of João Bénard da Costa, programmer, critic, actor and, for 18 years, director of the Portuguese Film Museum, who passed away in 2009.
Screenplay
Six friends meet every evening in a basement to make music. During the daytime, however, there are no rehearsals for what life brings us. Each endeavour leaves its mark.
Rita left Ricardo, Rafael found her, but she still feels lost. Eduardo thought he no longer liked Maria, but after what he has done he cannot turn the clock back. João lacks the courage to breakup with his girlfriend and takes refuge in the song he is writing for Inês. Marco struggles to get another young man’s love, but he is under no illusions. Samuel believes in everlasting love but something is wrong because his friends haven’t heard from him for sometime. Inês, attempting to feel safe, likes to experiment and she's waiting to see how things go with João.
With all this going on, how could the band not be falling apart...?
Director
Six friends meet every evening in a basement to make music. During the daytime, however, there are no rehearsals for what life brings us. Each endeavour leaves its mark.
Rita left Ricardo, Rafael found her, but she still feels lost. Eduardo thought he no longer liked Maria, but after what he has done he cannot turn the clock back. João lacks the courage to breakup with his girlfriend and takes refuge in the song he is writing for Inês. Marco struggles to get another young man’s love, but he is under no illusions. Samuel believes in everlasting love but something is wrong because his friends haven’t heard from him for sometime. Inês, attempting to feel safe, likes to experiment and she's waiting to see how things go with João.
With all this going on, how could the band not be falling apart...?
Editor
Diana is a young woman about to enter adulthood. She lives with her father, Gabriel, a game machine dealer, and Magdalene, the stepmother, alongside those working in a hair salon in a shopping center. One day, Diana discovers that Magdalene not only keeps a secret relationship with Michael, the security center and instructor in the gym of the neighborhood, as resumed his old habit of playing. Not to allow the stepmother to his father do the same as her mother had done to her, Diana decides to intervene, approaching the Magdalene lover.
