Kerstin is in great pain. Her daughter Juliane wants to help her die, but the law forbids it. Jessica Krummacher’s second feature describes the most important of events via tiny details that stay with us and get under our skin.
El choque entre una joven estudiante de origen inmigrante y el arrogante profesor con el que debe preparare un debate en una comedia dramática que fue todo un taquillazo en Alemania, con 200.000 entradas vendidas el primer fin de semana.Naima (Nilam Farooq) es una joven y talentosa estudiante de origen magrebí que lucha por sus estudios y por mantener a flote a su familia. En la universidad se dará de bruces con el profesor Richard Pohl (Christoph Maria Herbst), un brillante académico que parece distante y lleno de prejuicios desde su torre de marfil. Sin embargo, las circunstancias los obligarán a trabajar juntos, a conocerse y a respetarse.
Christoph begins his year of civil service at a nursing home as the personal caretaker for 28-year-old Sven. The seriously ill young man is suffering from muscular dystrophy and his nursing room has become his own little microcosm which he has been sovereignly controlling for years.
Macho Alex is smart and good-looking. He is known among women as an unscrupulous hunter. He wraps the women in rows around his fingers and then disappears into his sports car. For him, love is something for men who pee while sitting. The womanizer Alex then pushes it a little too far, because three love affairs at the same time are too many even for the greatest professional.
Armin (Constantin von Jascheroff) tiene dieciocho años, acaba de terminar el instituto y, agobiado por las buenas intenciones de su madre, las expectativas de su padre y el mortal aburrimiento de la vida en una zona residencial, empieza a enviar mensajes anónimos en los que se declara culpable de accidentes que presencia y delitos sobre los que lee. Al principio, es como un juego, pero pronto se convierte en una obsesión. Luego, ya no le basta con fingir que es culpable...
Anna and Edith are colleagues at an insurance company. Their male chef uses the women's business success to his own advances. Anna's husband would prefer her to be at home. Anna and Edith become a couple, but it doesn't end with a romantic rendez-vous. Together, and with the help of their female colleagues, they want to improve their work conditions.
