Diego Rísquez

Bogotá, 1840. Diez años después de que fuera asesinado en la selva de Berruecos el General Antonio José de Sucre, Gran Mariscal de Ayacucho, se reabre el proceso sobre su muerte. El Mayor Alejandro Godoy se encarga como fiscal del juicio, descubre que gran parte del expediente del proceso anterior ha sido destruido. Con peligro de su propia vida, Godoy detecta un complot al más alto nivel que acaba con la vida de Sucre

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

Willi premieres his own reality show and the first guest is the famous telenovela actress, Elsy Ferrer.. It immediately captivates the public with absurd and hilarious situations inspired by the routines of the most celebrated hosts of Latin American television.

The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.

The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.

The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.

It is a love story that takes place between 1924 and 1954 on the shore of the Caribbean Seawhere we discover the universe of the great Venezuelan artist Armando Reveron, his relationship with his muse Juanita and inseparable companion, the friends who frequent the building andrecreation of the objects that make up his world, his obsession with tropical light that blinds. We will see the development of his mental illness and the universe playful, emotional and painful inthis magical space called The Castillete.

It is a love story that takes place between 1924 and 1954 on the shore of the Caribbean Seawhere we discover the universe of the great Venezuelan artist Armando Reveron, his relationship with his muse Juanita and inseparable companion, the friends who frequent the building andrecreation of the objects that make up his world, his obsession with tropical light that blinds. We will see the development of his mental illness and the universe playful, emotional and painful inthis magical space called The Castillete.

This is tragic comedy about how Candide was brought up in the best of all possible worlds, and how he was expelled from it; how he lost his beloved Beatrice and his master Azcarate; passing through existential storms and shipwrecks; of faith and encounters with the miseries of the universe; and how Candide wanted, at all times, that this was the last day of the world

In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.

Herman Melville, un joven marinero que atraca en el puerto peruano de Paita, desentraña la legendaria historia de amor vivida por Simón Bolivar y Manuelita Sáenz.

Celina no soporta más la ciudad. Nació en un pueblo del interior y viajó hasta la gran metrópoli en busca de fortuna. Ahora regresa a su hogar después de muchos años. Mauricio Matzkin es un comerciante sencillo que cuida a su madre. Hugo, hermano de Celina, vive en las afueras junto a su padre y su madre enferma, ahora nuevamente con Celina. Hugo le debe dinero a Matzkin y Mauricio intenta recobrarlo. Y comienza una historia. (FILMAFFINITY)

Salserín, la primera vez, candidly recounts a story of teenage love framed in the genesis of a salsa band that was once a musical phenomenon in the mid-nineties.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a negro. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.

This low-budget avant garde feature uses no dialogue in telling the story of the reaction of the Spanish court after the initial exploration of America. A botanist revels in his collection of new plants. A native is baptized in a church ceremony, and nuns and court jesters appear throughout this rambling feature.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

Reel 21 of Gérard Courant’s on-going Cinematon series.