Associate Producer
Friends, family and colleagues of Philip K. Dick remember the life and work of the author of "Do Androids Dream of Electric Sheep?"
Producer
Documental con escenas suprimidas y novedosas entrevistas. Un vistazo a la difícil creación de la película y su polémico legado.
Associate Producer
Cinematographer Jordan Cronenweth's work on Blade Runner is remembered by friends, colleagues and relatives.
Associate Producer
A look at two screen-tests for Blade Runner: Nina Axelrod up for the part of Rachael and Stacey Nelkin as Pris.
Associate Producer
A look back to the 2019 fashions, costumes and make-up as seen in Ridley Scott's Blade Runner.
Associate Producer
Production illustrator Tom Southwell takes us through some of the logos, neon signs, badges and magazines he created to be used in the background of Blade Runner.
Associate Producer
A summary of the differences and similarities between Do Androids Dream of Electric Sleep and Blade Runner.
Associate Producer
David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.
Associate Producer
From pre-production to release, we are given an exclusive look into the making of Ridley Scott's Kingdom of Heaven (2005). Interviews with the cast and crew members take up the bulk of this film, but are accompanied by plenty of on-set footage. We are also given a glimpse at a lot of the deleted material, much of which will be in the director's cut.
Associate Producer
An in-depth look at the entire making of Ridley Scott's Gladiator. Consisting of: Tale Of The Scribes: Story Development, The Heat Of Battle: Production Journals, Attire Of The Realm: Costume Design, Shadow And Dust: Resurrecting Proximo, The Glory Of Rome: Visual Effects, Tools Of War: Weapons, Echoes In Eternity: Release And Impact,and final Production Credits.
Associate Producer
A documentary on the making of the 2004 film "Man on Fire," mixing movie clips, behind-the-scenes shots and interviews of cast and crew. The program covers the flick’s genesis and very long path to the screen, adaptation concerns and changes from the original story, the choice of Mexico as a location, research into real-life kidnapping and various case studies, training and realism, casting and characters, shooting in Mexico City and location issues, cinematography and the movie’s distinctive look, Scott’s style on the set, and general thoughts.
Storyboard Artist
Cuando en la remota ciudad minera de Rejection (Nevada) unos obreros caen en las garras de un depredador invisible, Hiram Gummer, propietario de la mina y bisabuelo de Burt Gummer, contrata a un mercenario para destruir a las carnívoras criaturas antes de que destrocen su preciada fuente de ingresos. Lo que destrocen es un asalto sin tregua que traslada el campo de batalla desde las profundidades de la tierra hasta las calles de Rejection, un enfrentamiento lleno de suspense.
