Juan Carlos Rulfo

Películas

Cartas a distancia
Director
Letters from a distance documents a communication exercise thought out by healthcare workers from a public hospital in Mexico City to help with the distance between COVID-19 patients and their family members through letters, that eventually turn into video messages or photographs during the peak of the pandemic giving people hope and certainty. It is also a voyage through the lives of mexican families who faced the most painful pandemic, due to their social, economic and political contexts while being moved by hope and love.
Lorena, la de pies ligeros
Director
Pelicula dirigida para Juan Carlos Rulfo por Netflix.
Érase una vez
Director
Juan Carlos Rulfo's father used to send him postcards from the places he visited. 27 years after his father passed away, Juan Carlos, son of the author of Pedro Páramo, decides to film those places his father talked and wrote him about.
The Story Of An Encounter
Camera Operator
The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).
The Story Of An Encounter
Director
The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).
De Panzazo
Director
Panzazo! It reflects the reality of education in Mexico and demonstrates that Mexican society panzazo passes in an exclusionary system in which no lessons for life are achieved. We see in this movie moms, dads, principals, teachers, officials, union representatives and opinion leaders to draw a global picture that does not allow indifference. The data, interviews and what the students filmed with handheld cameras give rise to indignation and intelligent to realize the part that touches everyone contribute. The project ran for three years entering the reality of the students and their families, capturing the daily dynamics of schools in such diverse parts of the country such as Ciudad Juarez, the interior of Yucatan, Morelia, the mountains of Chiapas and Guerrero, as well as Naucalpan and Iztapalapa in the metropolitan area of ​​Mexico City. EDIT: To clarify, "de panzazo" means "just squeaking through."
Carrière, 250 Meters
Cinematography
Jean-Claude Carrière, un conocido escritor, guionista, crítico... intenta encontrar la fórmula para compartir armoniosamente la vida con sus dos hijas: Kiara, de seis años, e Iris, de 48. Al mismo tiempo, decide resumir su vida en un relato breve.
Carrière, 250 Meters
Director
Jean-Claude Carrière, un conocido escritor, guionista, crítico... intenta encontrar la fórmula para compartir armoniosamente la vida con sus dos hijas: Kiara, de seis años, e Iris, de 48. Al mismo tiempo, decide resumir su vida en un relato breve.
Los que se quedan
Director
Story about nostalgia, identity and memory, but above all, it has to do with love and dreams. It is an intimate journey about what happens with those who have relatives who have left for the United States in search of a better life, in an exploration of the consequences of migration.
En el hoyo
Screenplay
A portrait of the construction workers involved in building the second deck of Mexico City's Periferico freeway.
En el hoyo
Director
A portrait of the construction workers involved in building the second deck of Mexico City's Periferico freeway.
Amores perros
Thanks
Ciudad de México: un fatal accidente automovilístico afecta trágicamente a tres personas. Octavio, un joven adolescente, decide fugarse con Susana, la esposa de su hermano; el Cofí, su perro, se convierte en el medio para conseguir el dinero que necesitan para poder escapar juntos. Al mismo tiempo, Daniel, un hombre de 42 años, deja a su esposa y a sus hijos para irse a vivir con Valeria, una hermosa modelo. El mismo día en que ambos festejan su nueva vida, el destino hace que Valeria sea víctima del trágico accidente.
Del olvido al no me acuerdo
Director
Juan Carlos Rulfo, the son of the acclaimed Mexican writer and photographer Juan Rulfo, travels to the plains of Jalisco in search of information on his father. What starts as a tribute to a great artist, however, becomes a meditation on aging and how it's affecting the history of a generation of great Mexican literature.
La historia de I y O
Editor
Érase una vez una pareja que escondía sus emociones, hasta que un buen día la casualidad tocó a su puerta.
La historia de I y O
Producer
Érase una vez una pareja que escondía sus emociones, hasta que un buen día la casualidad tocó a su puerta.
Directamente al cielo
Editor
Two girls in love are going to discover that a bus can take you from a traffic jam in Mexico City to a celestial place.
El abuelo Cheno y Otras Historias
Director
El director Rulfo explora la región donde alguna vez su abuelo Cheno fue dueño de una gran hacienda. El pequeño caserío es casi un pueblo fantasma en el que únicamente habitan los ancianos que recuerdan, de manera fragmentada, los sucesos que condujeron al asesinato de Cheno. Además de la historia de su abuelo, el cineasta recupera recuerdos de tiempos que se fueron para no volver. (FILMAFFINITY)