Producer
Darcy is a 28-year-old, good-looking charmer with the life aspirations of a 15-year-old. He’s happiest when he’s with his best friends Lynn and Peter, and he turns to his 13-year-old sage/skateboard buddy Trish when he needs a little guidance. But his carefree life is coming to an end. Lynn has accepted a “real” job on the other side of the world, Minneapolis, and is dragging boyfriend Peter along with her! Suddenly, Darcy finds himself facing the prospects of losing his two closest friends, his roommate, his job, and worst of all, his perpetual adolescence.
Writer
Darcy is a 28-year-old, good-looking charmer with the life aspirations of a 15-year-old. He’s happiest when he’s with his best friends Lynn and Peter, and he turns to his 13-year-old sage/skateboard buddy Trish when he needs a little guidance. But his carefree life is coming to an end. Lynn has accepted a “real” job on the other side of the world, Minneapolis, and is dragging boyfriend Peter along with her! Suddenly, Darcy finds himself facing the prospects of losing his two closest friends, his roommate, his job, and worst of all, his perpetual adolescence.
Director
Darcy is a 28-year-old, good-looking charmer with the life aspirations of a 15-year-old. He’s happiest when he’s with his best friends Lynn and Peter, and he turns to his 13-year-old sage/skateboard buddy Trish when he needs a little guidance. But his carefree life is coming to an end. Lynn has accepted a “real” job on the other side of the world, Minneapolis, and is dragging boyfriend Peter along with her! Suddenly, Darcy finds himself facing the prospects of losing his two closest friends, his roommate, his job, and worst of all, his perpetual adolescence.
Editor
A young woman mulls how to terminate her unwanted pregnancy and whether to leave her boyfriend.
Editor
Terminal Lunch is the story of Red Braid, a young delinquent overcome with guilt as he flees from a parking lot mugging gone awry. When he tries to leave on the next train out of town, he discovers the man sitting near him at the terminal's lunch counter is a serial killer. The unexpected encounter puts a kink in his plans and thrusts him into a potentially dangerous moral dilemma. Should he risk exposing his own crimes to stop the killer, or should he live with the guilt of letting a madman go free?
