Robert Graham

Sex, drugs, money, murder - not to mention love, heartache, humiliation, guilt, revenge, redemption - are central themes in this wicked dark comedy. Tracking six not-quite-so-young oilmen and dancers as they pursue life with reckless abandon in boomtown Houston during the Eighties, the story careens from casual pick-ups to painful break-ups, from betrayal to reunion with hardly a pause for breath.

When three cowboys show up dead, Tommy, a hard-drinking, retired bounty hunter whose ranch is on the brink for foreclosure, must saddle up one more time to stop the bandit and collect a ransom. Prepare yourself to go back in time to the real old west, when he takes the law into his own hands and kills anyone in his way.

Tras preparar un plan para vengar la muerte de su colega a manos de un mítico tiburón blanco, el oceanógrafo Steve Zissou (Bill Murray) recluta a una tripulación que incluye a su esposa (Anjelica Huston), a una periodista (Cate Blanchett) y a un joven que podría ser su hijo (Owen Wilson).

The nature and lure of power: in Dallas, a councilman is on trial for corruption, the D.A. is running for the US Senate, a serial killer is slashing prostitutes, and a professor is murdered. Amanda Reeve is assigned to investigate the law-school killing. She hears rumors that the dead man offered women students good grades in exchange for sex. The trail leads her to two wealthy, beautiful students whose alibi is provided by a librarian. At the same time, the cops close in on the slasher. Meanwhile, Amanda misses her former lover, next in line to become D.A., and a reporter is fired for getting close to the truth about the Senate candidate. Is a cover-up or conspiracy in the works?

Ivan Beckman, Hollywood's most sought-after talent agent, the darling and crown prince of La La Land, is dead. How and why did it happen? Was it drugs, murder, or perhaps something altogether more mundane? We begin with an ending and then catapult back a number of days to the apex of Ivan's brilliant career as he bags international megastar Don West onto his company's books. We then follow Ivan through the highs, lows, and extreme excesses of his final days.

Join schlock impresario Francis Gordon as his intrepid crew attempt to shoot an impromptu monster movie in the three days left over from the film they’ve just wrapped. From the Saul Bass opening title homage to its highly authentic, comic evocation of 1950s’ grade-Z grind house, this was lost when it was made in 1999. But ace restorer Mark Rance (who restored Tobe Hooper’s Eggshells) found it and has lovingly refurbished it under writer/director Kelly Greene’s supervision.

Sally (Drew Barrymore), que trabaja en una hamburguesería de un pequeño pueblo, está embarazada de un tipo casado que acaba de morir en circunstancias poco claras. Sin comerlo ni beberlo, Sally, que ya tiene bastantes problemas, se encuentra en el centro de una conspiración orquestada por la manipuladora mujer del amante muerto, la señora Lever (Catherine O'Hara), que desesperada por descubrir la identidad de la amante de su difunto esposo, encarga a sus hijos Dorian (Luke Wilson) y Angus (Jake Busey) que busquen sin descanso para ajustar cuentas. Sin embargo, los chicos se llevarán una buena sorpresa cuando descubran que se trata de la encantadora, guapa y embarazadísima cajera Sally Jackson. Desde ese momento, cada uno de ellos tomará un camino diferente, ya que Angus seguirá adelante con el plan mientras que Dorian comenzará a descubrir los encantos de la chica sin saber que esconde secretos familiares que cambiarán la vida de todos ellos. (FILMAFFINITY)

When a Texas millionaire marries his mistress, a bitter divorce battle, two deaths, an FBI sting operation, and criminal trials ensue.