Odilon Wagner

Felipe is obliged to spend his afternoons with Aunt Guta.

Vicente, que mantiene la firme convicción de que el pasado es todo aquello que recuerdas, imaginas que recuerdas y finges recordar, trabaja creando nuevos pasados por encargo por medio de documentos, fotos y vídeos. Su vida da un giro cuando una hermosa y misteriosa mujer aparece en su despacho para pedirle un nuevo pasado para ella sin facilitarle ningún dato de su vida personal y dándole como condición única que en ese pasado haya cometido un crimen. Un difícil desafío para Vicente, que nunca ha amado a nadie y que decide inventar a Clara, una mujer de la que podría enamorarse.

A man who grew up an orphan finally gets to meet his father: The psychopath Dr. Josef Mengele, the Auschwitz surgeon who performed genetic experiments on concentration camp refugees during WWII.

Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she was put to death in a concentration camp. After World War II began, Vargas decided to uphold the Allies.

The film tells the story of Cristório, a fisherman from Northeastern Brazilian state of Maranhão, who lost his young son when he was killed by jealous husband, during a folklore festival that celebrates the return of a ressurected bull, called Bumba-meu-boi. It is a journey to the heart of deepest Brazil, where it finds the dramatic soul of the Brazilian people.

The life of Austrian writer Stefan Zweig in Brazil. He wrote the famous book "Brasil, País do Futuro" (Brazil, Country of the Future). He and his wife Lotte, in a mysterious death pact, decided to kill themselves in the week following 1942 Carnival, in Brazil.

Angel works in a wedding dress store. Ulisses, her boyfriend, works as personal trainer. They are swallowed for the television and, to leave, need to discover how to use the Ulisses' ring.

Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.

After a newlywed couple moves into a whitewashed house, the former owner shows up and complications begin.