Giora Bejach

A satirical crime, comedy of errors that involves three trailers that have been smuggled into Israel. A mistake in the harbor brings together Arabs, Orthodox Jews and a gay couple that must join forces in order to solve the mishap.

Can a leader succeed in influencing the world? Or is he, as any other human being, only a nutshell tossed to the waves of history with no ability to affect it? Tolstoy pondered this question in War and Peace. Ehud Barak, controversial former prime minister and a decorated commander on the battlefield, contemplates it in this film. Twenty years after he was forced to resign from the premiership due to the failure of the 2000 Camp David summit, 78-year-old Barak observes his own history and the history of the State of Israel with disillusioned clarity, while trying to figure it all out - "What if?"

Las aventuras y desventuras de un amor que traspasa fronteras, culturas y prejuicios son las protagonistas de esta tierna y divertida comedia germanoisraelí en la que dos mujeres de la misma familia, pero de dos generaciones diferentes, tienen que enfrentarse a todo tipo de obstáculos para defender el amor por sus parejas.Una de ellas es Shira, una alocada joven israelí que decide presentarle a su familia, a la que está muy unida, a su novia María. La otra es la abuela de Shira, una mujer de ideas tan abiertas como para tener un novio palestino... pero no para aceptar que su nieta sea lesbiana.

An anthology film about the common topic of the Holocaust and honouring the memory of the victims. What caused the mass extermination of people on a national basis? Where do origins of interethnic intolerance, anti-Semitism, nationalist propaganda come from? Today these issues are still topical. Nationally motivated conflicts still fare up between people; national hostility is still kindled. There are voices that deny the reality of the Holocaust as a historical fact. We cannot allow a repetition of the monstrous tragedy and should never forget about it!

En el Israel de nuestros días, un matrimonio con problemas recibe la noticia de que el hijo ha muerto en el frente. Tras el luto, la mala nueva se descubre que es falsa. Una confusión de nombres...

German shepherd named Brutus got into concentration camp and turned from a harmless pet into a killer.

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.

Secuela de la antología de cortometrajes de terror realizados por 26 directores diferentes. Es bien sabido que la letra con sangre entra. Los responsables de ABC’s of Death son bien conscientes de ello y por eso nos obligan a repetir curso. Las 26 letras del abecedario son emparejadas de nuevo con los nombres más punteros del fantástico internacional, desde veteranos como Bill Plympton y Vincenzo Natali hasta promesas como las hermanas Jen y Sylvia Soska. Esto da lugar a una serie de cápsulas sanguinarias con un elemento en común: la muerte.

This is the story of three sensitive teens who are forced to deal with violence at home, violence at school. It is a story of friendship, of love and hate, where the adolescents world is revealed as cruel and beautiful, a world where the desire to die or kill and the will to live are very confused but finally define the fate of the three heroes.

Filmed in one sequence-shot of 1 hour and 25 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor.

Una serie de brutales asesinatos provocan la inestabilidad en un pueblo alejado de la metrópoli. Estos duros acontecimientos provocarán que la vida de tres hombres quede entrelazada entre sí para siempre. El padre de la primera víctima cuya sed de venganza es insostenible viendo la ineficacia policial a la hora de resolver el caso, un detective de policía que a la hora de resolver un conflicto decide actuar en el margen de la ley y un profesor de religión, máximo sospechoso de los asesinatos debido a su relación directa con las víctimas, es detenido aunque al final es liberado debido a una negligencia policial.

The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.

En junio de 1982, durante la primera guerra en Líbano, un tanque, tripulado por jóvenes inexpertos en el arte de la guerra, es enviado para una misión aparentemente sencilla. El grupo de chicos debe dirigirse hacia un poblado supuestamente diezmado por el ejercito y completar su tarea en poco tiempo. Repentinamente, los soldados se ven envueltos en una situación fuera de control, cuando la misión que les han asignado falla. Motivados por el miedo y el instinto de supervivencia, ellos tratan de salir del poblado donde viven una pesadilla a cualquier costo.

1965. Rachel Brener es una de las tres jóvenes agentes del Mossad que han capturado a "The Surgon of Trevlinca", un monstruo nazi que nunca fue juzgado en Israel y que cometió suicidio. Israel, 35 años más tarde... el nazi sigue aparentemente vivo.

The story of the two teenagers that murdered a taxi driver without a reason caused a great shock in Israel. it was on all newspapers and on TV. Those two teenagers lived amongst normative and supporting families, and despite that turned to the life of crime. The movie tries to show what happened before that murder and the things which, may have, led to it.

This 1990s film from Israel focuses on a group of teenagers who go on the run after accidentally killing someone.