Ricardo Miranda

Djalioh is a strange person. Born in Brazil, he moves to France at 16 and presents himself non-conventionally as the "family's idiot". Misunderstood by society, he suffers for loving Adele who is set to marry his cousin Paul that raised him. A free adaptation of Flaubert's short story "QuidQuid Volueris", written when he was 16.

A bank manager has a secret. He is compelled to bite society women hands.

A marginal version of Brecht’s piece, “Baal”.

A marginal version of Brecht’s piece, “Baal”.

Film Editor/Director Ricardo Miranda makes a homage to his friend Paulo Cezar Saraceni

Film Editor/Director Ricardo Miranda makes a homage to his friend Paulo Cezar Saraceni

Film Editor/Director Ricardo Miranda makes a homage to his friend Paulo Cezar Saraceni

La última rumba de Papá Montero es una película cubana 1992 dirigida por Octavio Cortázar. La película se centra en una empresa de producción documental contemporáneo que está intentando crear una característica de no ficción sobre el Papa Montero, 1930 rumbero que fue asesinada durante las celebraciones del carnaval de La Habana. La película utiliza secuencias de flashback para recrear el baile celebrado de Papá Montero y su participación desastrosa en un triángulo de amor fatal. La película cuenta con secuencias de baile rumba-inspirado realizadas en las calles de La Habana por El Conjunto Folklórico Nacional de Cuba. La última rumba de Papá Montero tenía un lanzamiento de teatro y vídeo doméstico EE.UU. en 2001.

A religious comedy in 5 segments, illustrating maniqueism on Earth, as shown by movies. God and his son Jesus disagree on how to manage human life on Earth.

film about the desire of listening. An intermingling of voices from childhood, dreams, history, sex and politics. A visual essay about the universe of sounds. What is sound? What is the sound experience? Sound placed and replaced as Energy. Nothing more should be said. The final conclusion, while the spectator flies over an infinite sea, talks about spreading fragility open. That is the Sound.

São Paulo, late 30's. Alberto (Paulo César Pereio) is an intellectual and professor who announces to his friend and pupil Polidoro (Nuno Leal Maia) he won a scholarship to study in Paris. In Paris Polidoro receives a letter in which Alberto announces that he married Helena (Ana Maria Nascimento e Silva). Polidoro returns to Brazil in 1945, when there was a strong political agitation against the New State. Alberto invites Polidoro to spend a few days at his home in Campos do Jordão. After reaching the site he is told by Helena that Alberto was forced to travel urgently. She insists he should stay there until the return of her husband and, while waiting, she seduces him. Then, after several days of intense passion, she orders Polidoro to go away and never see her again.

Four Third-World Christs try to stop the American industrialist John Brahms in Glauber Rocha's experimental film inspired by Pier Paolo Pasolini's murder.

An experimental film on Brazilian avant-garde artist Helio Oiticica and his works, especially the Parangolés.

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.

On Carnival's eve, girl dreams of a man to stay with her during these four days. She meets a photographer, with whom she has an affair.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.