Producer
When two gymnasts are selected for the National training camp they learn something new about bodies, boys and friendship.
Producer
Surrounded by divers and swimmers, a little girl feels humiliated by her fear of jumping in the water. But when she sees two unexpected creatures swimming effortlessly underwater, can she take the plunge into their magical world?
Producer
Narra la historia de amor de dos adolescentes en la América rural de los años 70.
Director
Narra la historia de amor de dos adolescentes en la América rural de los años 70.
Writer
Narra la historia de amor de dos adolescentes en la América rural de los años 70.
Producer
Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
Writer
Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
Director
Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
Director
29 años de edad, Eban se ha retirado a la casa de sus padres a la playa Oregon después de la disolución de su trabajo como maestro en Seattle. Corteja a Charlie de 15 años y finalmente entre los dos se inicia una relación sexual. La edad de consentimiento en Oregon es de 18 años y teniendo en cuenta la diferencia de edad, los adultos en este drama tiene una opinión negativa de esta relación.
