Madeleine Sackler

"It’s a Hard Truth Ain’t It" is a companion piece to "O.G.", a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana. Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

"It’s a Hard Truth Ain’t It" is a companion piece to "O.G.", a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana. Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

"It’s a Hard Truth Ain’t It" is a companion piece to "O.G.", a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana. Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

Un hombre que lleva 24 años preso en una cárcel de máxima seguridad por cometer un crimen violento está a punto de salir, pero antes conoce a Beech, un nuevo preso que le ofrece su amistad, algo que complicará las cosas.

Un hombre que lleva 24 años preso en una cárcel de máxima seguridad por cometer un crimen violento está a punto de salir, pero antes conoce a Beech, un nuevo preso que le ofrece su amistad, algo que complicará las cosas.

"Actos peligrosos" muestra el potente e innovador trabajo del grupo teatral Belarus Free Theatre (BFT), ganador del Fringe Festival, entre otros. Fundado en marzo de 2005 por Natalia Kaliada, Vladimir Shcherban y el aclamado periodista Nicolai Khalezin -todos ellos actualmente exiliados en Londres-, BFT crea un teatro que cuestiona y denuncia problemas sociales y políticos en Bielorusia bajo el régimen de Alexander Lukashenko, a menudo llamado la última dictadura de Europa. BFT ha actuado alrededor del mundo y cuenta con el apoyo del guionista y director Tom Stoppard y de estrellas como Jude Law, que ayudan a financiarlo.

"Actos peligrosos" muestra el potente e innovador trabajo del grupo teatral Belarus Free Theatre (BFT), ganador del Fringe Festival, entre otros. Fundado en marzo de 2005 por Natalia Kaliada, Vladimir Shcherban y el aclamado periodista Nicolai Khalezin -todos ellos actualmente exiliados en Londres-, BFT crea un teatro que cuestiona y denuncia problemas sociales y políticos en Bielorusia bajo el régimen de Alexander Lukashenko, a menudo llamado la última dictadura de Europa. BFT ha actuado alrededor del mundo y cuenta con el apoyo del guionista y director Tom Stoppard y de estrellas como Jude Law, que ayudan a financiarlo.

"Actos peligrosos" muestra el potente e innovador trabajo del grupo teatral Belarus Free Theatre (BFT), ganador del Fringe Festival, entre otros. Fundado en marzo de 2005 por Natalia Kaliada, Vladimir Shcherban y el aclamado periodista Nicolai Khalezin -todos ellos actualmente exiliados en Londres-, BFT crea un teatro que cuestiona y denuncia problemas sociales y políticos en Bielorusia bajo el régimen de Alexander Lukashenko, a menudo llamado la última dictadura de Europa. BFT ha actuado alrededor del mundo y cuenta con el apoyo del guionista y director Tom Stoppard y de estrellas como Jude Law, que ayudan a financiarlo.

Former Duke All-Americans Grant Hill and Christian Laettner are teaming up once again, this time with Turner Sports, to offer viewers an inside look at one of the most-storied college basketball programs in the history of the game. The documentary will revisit 1991 and 1992, when the Blue Devils became the first school to win back-to-back National Championships in nearly 20 years.

In Fernando Nation, Mexican-born and Los Angeles-raised director Cruz Angeles traces the history of a community that was torn apart when Dodger Stadium was built in Chavez Ravine and then revitalized by one of the most captivating pitching phenoms baseball has ever seen. Nicknamed “El Toro” by his fans, Fernando Valenzuela ignited a fire that spread from LA to New York—and beyond. He vaulted himself onto the prime time stage and proved with his signature look to the heavens and killer screwball that the American dream was not reserved for those born on U.S. soil. In this layered look at the myth and the man, Cruz Angeles recalls the euphoria around Fernando’s arrival and probes a phenomenon that transcended baseball for many Mexican-Americans. Fernando Valenzuela himself opens up to share his perspective on this very special time. Even 20 years later, “Fernandomania” lives.

Four children enter a high-stakes lottery. If they win, they can attend one of the best schools in New York. A look at the crisis in public education, The Lottery makes the case than any child can succeed.

Four children enter a high-stakes lottery. If they win, they can attend one of the best schools in New York. A look at the crisis in public education, The Lottery makes the case than any child can succeed.

Four children enter a high-stakes lottery. If they win, they can attend one of the best schools in New York. A look at the crisis in public education, The Lottery makes the case than any child can succeed.

Abby, a brilliant, young neuroscientist who has recently lost her father, drowns her grief by spending her days working with a monkey named Dorey. Abby meets a programmer, Sam, who has created a technology that reconnects Abby with her beloved father. Her relationship with her digitized dad then forces her to re-examine everything from her romantic relationships to her life’s work.

Abby, a brilliant, young neuroscientist who has recently lost her father, drowns her grief by spending her days working with a monkey named Dorey. Abby meets a programmer, Sam, who has created a technology that reconnects Abby with her beloved father. Her relationship with her digitized dad then forces her to re-examine everything from her romantic relationships to her life’s work.