Emil Markov

After the fall of the Berlin wall, now in his old age, the composer Edward Kazasyan discovers that his late wife, the singer Lia Ivanova, who survived communist labor camps, was forced to work for the secret services. Their dossiers in the State Security archives and her diary from childhood reveal the complicated fate of the singer, who strove the conquer the big stage while juggling a "second life" imposed on her by the system. Torn by doubts that his life was contrived and false, he once again relives their love and career in his loneliness, trying to find his place in this living puzzle.

Sarah Wolfe es la única superviviente de la masacre en la Mansión Vanacutt. Nadie cree en la versión de Sarah que hace responsable de los espeluznantes asesinatos a los espíritus malignos que poseen la casa. Pero su reciente y cuestionable suicidio deja a su hermana Ariel sin otra opción que encontrar quien o qué ha sido su asesino o responsable de conducirla a la locura. Ariel descubre que Sarah le envió el diario del sádico Doctor Vanacutt justo antes de morir, lo que la convierte en el principal objetivo del asesino encabezando un grupo de nuevas víctimas que regresan a la Mansión Vanacutt. (FILMAFFINITY)

Un científico investiga, en una paradisíaca isla, las capacidades racionales del cerebro de los tiburones. Combinando el ADN humano con el de los escualos ha creado un extraño híbrido con apariencia de tiburón y una desmesurada inteligencia, que siembra el pánico entre la población.

Mike lidera un equipo en una estación marina de investigación científica. La colisión de una nave espacial provoca efectos devastadores en las criaturas que habitan el océano. El gran tiburón blanco sufre una mutación y se vuelve tremendamente agresivo contra la especie humana. Mike y su equipo deberán enfrentarse a la furia de estos asesinos. (FILMAFFINITY)

June 1946: Stalin invites Russian emigres to return to the motherland. It's a trap: when a ship-load from France arrives in Odessa, only a physician and his family are spared execution or prison. He and his French wife (her passport ripped up) are sent to Kiev. She wants to return to France immediately; he knows that they are captives and must watch every step.

Seven-year-old Dodo comes to his grandmother's village for the summer, where he meets a young woman who talks to animals. Friendship with her and a little gypsy girl allows Dodo to get to know the world of "our little brothers" better.

8-year old Alek's parents are divorced and he lives with his mother. He can feel that after the divorce there has been a big void in her life. He decides to help her by finding a suitable husband. He first decides on an athlete, then a driver but none of them seem to be good enough for her. Then he runs into Chony, who immediately feels as the perfect fit for mum. Alek has to figure out how to make the two of them meet and at the same time divert mum's attention from uncle Mincho. All of his plans eventually fail but Alek comes to realize that he should not meddle with his mother's personal life and let her choose for herself.

This is a film about the moral and philosophical sides of the life and the art, about the complex relations between the artist and the rough rules of the time in which he lives.

A study in human psychology that uses five disparate characters from clearly defined social positions, this film offers as much insight into the society of a changing Bulgaria, as it does into the minds of individuals in conflict. The story centers around transporting a worker's corpse, in a truck, to the mountain village where he was born. In the truck is: a man who may be suffering from tuberculosis, and who has an unfaithful wife at home; a doctor (the intellectual); a bookkeeper worried over the salaries she pays out; a hermit picked up on the road; and the driver who is a rough-and-ready working-class symbol. The seeds for conflict are set both by the personalities of the five in the truck and by their social background. The director Christo Christov, acknowledges his debt to Henri-Georges Clouzot and the Wages of Fear, for inspiration in the treatment of human conflict, its development through a set storyline, and its resolution in each of the five cases.

There is a dragon, which threatens the life of the shacked village. The attempts of lumberjacks, shepherds and hunters to get rid of the menace are without success. Their battle with the imaginary mythical monster makes them realize that their real enemies are the master Kolota and his servants. The dragon is beaten not physically but spiritually.