Yasue Sato

Hace mucho tiempo, una Sacerdotisa Makai caída llamada Higari se volvió demasiado poderosa y después de manipular poderes que nadie debería ejercer, tuvo que ser detenida y finalmente fue sellada por otro Sacerdote Makai llamado Sougen. Usando su cuerpo y su propia vida, creó la flauta Tougen y selló a Higari poco después de su muerte. Sin embargo, a través de un ritual especial, aquellos que buscan el poder de Higari pueden resucitarla al reproducir ocho notas en la flauta de Tougen para deshacer el sello de Sougen. En el presente, mientras Kouga Saejima ha viajado a la Tierra Prometida, dos sacerdotes caídos intentarán regresar a Higari.

Sirve de secuela a Mega Monster Battle: Ultra Galaxy Legend The Movie. el último Ultra héroe "Ultraman Zero", el hijo de Ultra Seven, es el personaje principal en esta producción, mientras que la historia del primer Ultraman malvado "Ultraman Belial", que arrasó en GALAXY MEGA MONSTER el año pasado en BATALLA ULTRA: THE MOVIE (Daikaiju Battle Urutora Ginga Densetsu la película), se presenta como la potencia "Galactic Emperor Belial Kaiser", quien está reuniendo un poderoso imperio galáctico. El joven héroe Ultraman Zero, junto con las sucesivas generaciones de guerreros Ultra y algunos compañeros que acababan de aparecer, luchan contra el Kaiser Belial.

Mientras protege el norte de la ciudad de los Horrores, Koga encuentra a la joven aprendiz de sacerdotisa Rin que trae un mensaje del difunto monje Aemon: Jabi sigue con vida. Koga pone rumbo al reino Makai para salvarla. Un poderoso Horror llamado Legules ha resucitado y planea alterar el evento sobrenatural conocido como Noche Blanca para sumir al mundo en la oscuridad. Koga tendrá que alcanzar una nueva y definitiva forma de GARO para derrotar a Legules..

Quince historias de cinco minutos de duración diseñadas para penetrar en tu mente y acelerar tu pulso. Tales of Teror from Tokyo ofrece una nueva visión del cine de terror desde el punto de vista de distintos directores.

Shotaro and Minako are arguing. Minako has confessed her infidelity to her husband and informs him of her intention to leave him. She has ceased to enjoy living with a submissive husband. Minako, who works for a construction company, loves her job and is progressing in her successful career, while her husband eagerly takes care of the house and the kids. He buys groceries, he cooks, he does the laundry – constantly. The couple’s arguing intensifies until Minaka files for divorce. Their older daughter Mari isn’t that upset by her parent’s problems as she’s more interested in the piano piece she’s got to play with her mother at a concert organised by her music school; admittedly, she’s also rather interested in her music teacher. But her younger brother Toru feels betrayed by his mother and can’t manage to reconcile himself to his father’s role as a housewife. A partial reconciliation occurs at Minako and Mari’s concert, where their entrance on stage is met with loud applause.

After Reiko moves from Japan to Hong Kong to start working for Jackie Chan, her boyfriend Daijiro, in a fit of jealousy, hops on a plane and heads for Hong Kong himself. He manages to land a job as a stuntman, but can't quite seem to win his girlfriend back. When a young woman from mainland China searching Hong Kong for her boyfriend shows up in Daijiro's apartment, an additional set of complications are added to the story. Will anyone find their true love?

Filmed somewhat in documentary style, it follows three girls over the span of one day and night in the Shibuya district of Tokyo. Jonko runs a group of high school girls involved in paid dating, Raku is a street dancer, and Togo was brought up in the US and back in Japan for one year wants to escape to New York. Their contact with the world of talent scouts and yakuza places them in danger.