Doctor
Película de terror mexicana sobre una pintora estadounidense llamada Mary (Cristina Ferrare) que vive en México, donde vende sus obras y también mata a personas por su sangre. Resulta que Mary es una vampira pero no la tradicional con colmillos. Como no tiene colmillos, debe apuñalar o cortar las gargantas de sus víctimas, pero pronto tendrá un nuevo hombre (David Young) en su vida, así como un hombre misterioso (John Carradine) de negro que parece estar haciendo el mismo tipo de asesinatos
Mauricio Gómez
Mauricio flees from the police and takes refuge in the apartment of Ivonne, who gives him blood to save his life. Carlos the policeman who is in love with her, finds Mauricio's passport and has the inspector offer 10 thousand pesos to whoever turns him in. Mauricio confesses to Ivonne that he is innocent of the crime, and asks her to marry him.
Tony Ray no tiene lo suficiente para impresionar a Diana, por lo tanto decide ser un boxeador. Al fin podrá tener todo: dinero y sentirse lo suficiente digno para proponerle matrimonio.
The 'other woman' tricks her fella into filing to divorce his wife.
Una niña huérfana bajo la protección de un benefactor comienza a sospechar que su madre tuvo una aventura con él y que él es su padre...
Local oligarch has the hots for a small-town schoolteacher; to escape from the problems he causes them, she and her boyfriend both move to Mexico City... but they lose contact with each other, and complications.
Ex-con rebuilds his life after being discharged from prison.
A widow remarries... and then her missing-presumed-dead first husband reappears.
Free-spirited young woman schemes different ways to trying to nudge her spinsterish older sister into falling in love and getting married.
Wicked old lady arranges to sell the virginity of a young neighbor. Her boyfriend gets upset over this.
Struggling musician takes sympathy on a homeless woman and they build a life together.
Prostitution and drug-smuggling in Mexico City and Cd. Juarez.
A country girl finds herself working as a prostitute, but her true love, a musician, comes looking for her. She must fight a cabaret dancer for his love.
Power struggles among the owners of a cigar factory;meanwhile, a society babe and a factory girl compete over the youngest of the executives.
Young songwriter falls in love with a singer he writes for... but her jealous manager fucks up both their lives.
Un padre y su hija se meten en problemas románticos. Ella está enamorada de un cantante, y él está alocado por una norteamericana. En un hotel veraniego se suceden números musicales todas las situaciones que llevarán a un final en donde la hija logra su objetivo mientras que el padre se conformará con una mujer de cierta edad Cinta en donde debutó con una pequeña secuencia el cómico Tin Tan.
Homeless singer-songwriter-piano-player gets a career boost with the support of a crippled waitress, and romance blossoms. Once he starts up the ladder of success, she starts feeling insecure about all the beautiful non-deformed women he's surrounded with.
The old massa dies and his son comes home to take over the hacienda. Things are going to be a whole lot different now; he's overturning all the old social order. A-a-and...
International committee mounts a revue to promote Pan-American unity. Showbiz hotel rom-com hilarity ensues.
Mario Ledesma
Card-sharks blackmail a dissolute young man into participating in a big robbery; his brother takes the rap for him.
Eduardo
A plastic surgeon goes mad when he discovers that his wife have an affair. He fakes her death and disfigure her and locks her in the cellar.
Beautiful peasant girl runs afoul of her landlord's horny son and he poisons the well between her and her fiance, so she runs away and joins the Revolution.
Alberto
Mad scientist, a neanderthal and a drunk makes a crazy combination.
Gonzalo Ramirez
Fernando de Fuentes was among the most famous and versatile writer-directors of Mexican cinema’s Golden Age, etching his style on genres as varied as the Western and the musical. In his immigrant melodrama The Dressel Family, De Fuentes addresses the “problem” of the ferreteros: successful bourgeois German families who established their own self-sufficient community within Mexico City, but in doing so—it was widely felt—preserved their haughty colonialist attitudes toward the native population. The head of the Dressel household is a proud and stubborn German matriarch who, disdainful of her son’s mixed marriage, sets out to destroy the reputation of his young wife, a Mexican radio singer (played by the beautiful and talented Consuelo Frank).
