After the dead body of a talented painter is found in a bathtub, a local bartender and a young policeman become involved in a complicated mystery, uncovering scandalous secrets and shocking twists as they search for the truth.
I still remember that on the evening of the thirtieth year of that year, when I was 13 years old, I carried a lantern and followed my grandma to pay New Year greetings to a few elderly people. They were very kind to me, giving me New Year's money and peeling oranges to eat. I tore a window grille cut by a grandma. At this time, an uncle in a military coat came in and took away the mahjong, alcohol and cigarettes. Watching him take things away, the elderly in the nursing home were silent. At this time, the fireworks outside was in full bloom, and the new year was approaching. This film is one of the top 30 works of "Cui Yongyuan New Directors Project"
Ching ha roto con su novio Ken, y ahora está viviendo un calvario. Se siente sola, incomprendida, ha perdido su trabajo... y todo porque a su ex se le ha ocurrido la idea de ir colgando fotos de Ching desnuda en Internet. Ching no lo soporta más y decide contactar con Shirley, la actual novia de Ken, para que la ayude. Ken aún tiene las fotos en su ordenador así que sólo habría que borrarlas, de manera que Ching propone a Shirley aliarse para colarse juntas en el cuarto de Ken y eliminar las dichosas fotos.
The story of a beautiful, single woman who runs a restaurant in inland China, delving into her battle to understand the rapid changes affecting society around her.
Filmmaker Ning Ying returns to her favorite theme – the gradual decay of traditional Chinese values and culture at the dawn of the 21st century – in this low-key drama. Desi (Yu Lei) is a cab driver who has recently broken up with his wife. Lonely, Desi is searching for a new love, and as he drifts through Beijing in search of fares and a girlfriend, he sees a city that is increasingly bending to the influence of the West, with traditional pastimes and customs forced to make way for the onslaught of the free-market economy. Xia Ri Nuan Yangyang has been screened on the international film festival circuit in two different versions; the cut shown at the 2001 Rotterdam Film Festival ran 99 minutes, while the film was only 79 minutes when it appeared at the Berlin Film Festival that same year.
