Can Kolukısa

"Çalsin Sazlar" tells the story of two friends, both dreamers and easy going, who fall in love with the same girl and the resulting relationships involving passion, conflict and friendship from a fun yet naively sorrow perspective. Encompassing the tragic lives of three characters and enriched by the various depths in each of their lives, this fiction portrays a love story using a "different" approach for Turkish cinema.

Symbolizing the turning point occurred in the Battle of Sakarya in Turkish-Greek War, tells one of the most moving stories.

A través de la historia de Mustafa y su mujer, evoca la historia de muchos turcos aquellos días aciagos después de la asonada en 1980: 650 mil fueron llevados a dependencias policiales y la mayoría de ellos torturados. Analiza también el porqué de la súbita extinción de gran parte del movimiento de izquierdas y el trauma causado.

The story of a man who believes he's been presented with a new life where he witnesses his son's resurrection.

Ahmet Celal, who was injured during the war, is in great pain and a young woman named Emine helps him and saves him and heals him. A stormy love breaks out in those scenes and the intrigued life of that love is worked out.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

Cazibe is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother and her uncle who feels an attraction towards her. The lonely woman, whose only existence is her small room, spends all her time in this old room, dreaming and fantasising about her ex-lover.

Selamsiz (wich means 'no greeting') is a small town in Anatolia. The town has a lot of problems but noone from governments come and see the town. One day the mayor learns that the prime minister will come to the city. They, now, have a chance to solve their problems. However, they think that they should have a band to greet the prime minister.

A man, while trying to meet a woman from his dreams, finds a restaurant and begins to have a journey both between dreams and reality, others and himself.

The film tells the story of an old husband Hüsrev and Melek, who was first a servant and then his wife. With this marriage Hüsrev’s subconscious hidden passions are revealed.

The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everthing starts to go bad for the Agha. Due to the long drought and provocations of Kekec Salman (big brother of Kiraz), the peasants steal the crops and run away to Istanbul. Without the peasants and crops, Agha is also forced to sell the village and move to Istanbul. But he cannot keep up with the big city life and consumes all his money and belongings. Agha's wife and relatives leave him during this downfall.

Seyit, a resourceful doorman of a middle class apartment in Istanbul, finds himself in a struggle for power when the new superintendent decides to crack down on his slack attitude.