Mari Nagy

A young court bailiff's first eviction case turns into a nightmare because of a desperate old lady who is willing to sacrifice everything to keep her home.

En el frío invierno de 1918, Tomás, un joven que se dedica a la fotografía "post mortem", termina en un pequeño pueblo húngaro. Los extraños ruidos nocturnos, la hostilidad de las gentes, las muertes misteriosas y las figuras sombrías que aparecen en sus fotografías lo impulsan a largarse cuanto antes. Pero Tomás regresa a la aldea para investigar las intenciones de los fantasmas y encontrar una manera de librarse de ellos.

A hardcore soccer ultra, Gyula, and his wife, Mariann, long for a baby. But it turns out that Gyula is sterile and when their plans to adopt also go up in smoke, Mariann does a deal behind her husband's back: they will take in the soon to be born child of a young Roma woman. The ensuing state of affairs turns all of their lives upside down. While Gyula has to continually hide the truth from his racist friends, surprises await him in his private life, and when Cupid's arrow strikes him from the most unexpected direction, he is faced with both comical situations and acute moral dilemmas.

Se centra en el poder curativo del amor en medio de un conflicto nacional caracterizado por la pérdida y el trauma. Una joven que vive en una Hungría devastada tras la II Guerra Mundial descubre cómo el cariño puede cerrar heridas que pensaba irreparables.

István Sinka, known in the farm world of the Great Plains only as Black Burdock, is a decent, honest fellow. He stands out among his peers with his education and literacy. He and his love, Piroska, are happily planning their lives when an unexpected tragedy occurs.

La película nos lleva a la Hungría de los años posteriores a la Segunda Guerra Mundial, y en la que la sombra comunista es una realidad, que no dejará en paz a los habitantes de este país. En este contexto la película nos presenta a dos mujeres que no pueden ser más diferentes entre sí. La primera es una intelectual que se dedica a escribir y de mediana edad, mientras que la segunda es una mujer mayor que se ha criado en contacto con la naturaleza, y que entra a trabajar como ama de llaves de la primera. Ambas discuten muy a menudo, puesto que al ser tan distintas, la una intenta influir en la vida de la otra y viceversa, intentos que siempre acaban con sonoras riñas, aunque su relación laboral no se ve afectada. El ama de llaves es una mujer muy enigmática, puesto que no quiere que nadie vaya a su casa, y en el caso de que alguien se acerque nunca les permite pasar de la puerta. Poco a poco, nos daremos cuenta de que esconde un secreto terrible.

Inspirada libremente en el libro (“Memories of Anne Frank: Reflections of a Childhood Friend”) escrito por Alison Leslie Gold. La escritora americana recopiló el largo relato de Hanneli Goslar (una de las amigas más cercanas de Anne Frank) cuarenta años después de la Segunda Guerra Mundial. La película relata cuando se conocieron en Ámsterdam, de sus familias alemanas que abandonaron en Alemania, de sus vidas diarias en Ámsterdam, del principio de la leyes anti-judías, de la ocupación de los alemanes, de la desaparición de amigos y familia, de su repentina separación.

Set in a large apartment in Hungary during the death throes of communism, obedient Andor lives with his eccentric mother, Rebeka, a once-celebrated stage actress-turned-recluse. After years of coexisting in a love-hate relationship marked by routine and possible incest, Andor brings home Eszter, a beautiful girl his own age. Her advances awaken Andor's repressed desires, the depths of which prove shocking. Opera director Robert Alfoldi renders this bizarre story in a melodramatic style, and veteran Hungarian stage star Dorottya Udvaros rises to the occasion. If you can imagine the intersecting area on a Venn diagram that includes Taxidermia and Sunset Blvd., that's where Where Were You, My Son? was born. The original title, Nyugalom, which translates to Tranquility, is ironic to say the least. ...over the-top...memorable...thunderous...sex and violins (Variety).

A story of a Jewish-Hungarian-Serbian family. The plot is centered about trying of an adult son to reconstruct his childhood dream of and memories. Looms, but a sunken world, the central European town with its figures, the way to experiencing deep and see a sensitive boy, his father, who by their fears that penetrate to the bone and the final humiliation of acting madness escapes and becomes a lonely, pathetic buffoon in the drama of life.

After her husband's death, Hanna Szendroy, the former primadonna, portrayed by Maya Komorowska is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.

The details of a young girl's brutal murder are told through manipulated chronology and fragmented storylines.

The slow decay of a marriage sets the stage for this drama, which is leavened with understated humor. In 1988, Jozsi (Gergely Kocsis) is a Hungarian laborer who decides to marry Elizaveta (Eniko Borcsok), a woman of Hungarian descent living in the Ukraine. 1996 finds Joszi and Elizaveta the parents of a young girl, but otherwise their marriage is a shambles; Jozsi has become an alcoholic and Elizaveta has decided she needs to strike out on her own for the sake of her child. Shot on digital video as a project for Hungarian television, Paszport was directed by Peter Gothar, who previously made the international success Megall Az Ido.

The story of the rogue sorcerer Simon Magus, re-imagined and set in contemporary Paris.

In this absurd comedy two television reporters set out to find the famous gypsy Csulano.

Gizella Weisz is an middle-aged office worker, who gets a promotion one day. Her boss told her that a new outpost is waiting for her. There she would be heading a new section. She travels from place to another and finally arrives at her new outpost. It is a remote shed, where a half-insane co-worker is waiting for her. It is obvious that Weisz has not been promoted, but punished. However Weisz does not realize that herself. Without questioning she just accepts her promotion.