Dennis O'Rourke

Habiba and Shah who, because of the wars fought in Afghanistan over the past 25 years, have experienced immense suffering, but who have survived to show how it is possible to be brave and moral in this world of sanctioned violence and lies. Shah, a former Mujaheddin soldier and land mine victim, works as a cobbler on the pavements of the ruined city of Kabul. One day, he noticed a pretty Tajik girl who had only one leg, and he began to court her. Amidst the chaos and violence, and despite all the obstacles of tradition and religion, Shah and Habiba were able to marry.

Habiba and Shah who, because of the wars fought in Afghanistan over the past 25 years, have experienced immense suffering, but who have survived to show how it is possible to be brave and moral in this world of sanctioned violence and lies. Shah, a former Mujaheddin soldier and land mine victim, works as a cobbler on the pavements of the ruined city of Kabul. One day, he noticed a pretty Tajik girl who had only one leg, and he began to court her. Amidst the chaos and violence, and despite all the obstacles of tradition and religion, Shah and Habiba were able to marry.

Cunnamulla, 800 kilometres west of Brisbane, is the end of the railway line. In the months leading up to a scorching Christmas in the bush, there's a lot more going on than the annual lizard race. Here, Aboriginal and white Australians live together but apart. Creativity struggles against indifference, eccentricity against conformity.

Cunnamulla, 800 kilometres west of Brisbane, is the end of the railway line. In the months leading up to a scorching Christmas in the bush, there's a lot more going on than the annual lizard race. Here, Aboriginal and white Australians live together but apart. Creativity struggles against indifference, eccentricity against conformity.

Cunnamulla, 800 kilometres west of Brisbane, is the end of the railway line. In the months leading up to a scorching Christmas in the bush, there's a lot more going on than the annual lizard race. Here, Aboriginal and white Australians live together but apart. Creativity struggles against indifference, eccentricity against conformity.

Film maker Dennis O'Rourke documents the day to day life of Aoi, a Thai prostitute through interviews with her and her family as well as taking us through some of the tourist frequented bars and night clubs.

The film follows a number of European and American ecotourists as they travel from village to village throughout the Sepik River area in Papua New Guinea, driving hard bargains for local handcrafted items, paying to view formerly sacred ceremonies and taking photographs of every aspect of "primitive" life. With some prodding, the tourists unwittingly reveal an unattractive and pervasive ethnocentrism to O'Rourke's cameras. The tourists thus become somewhat dehumanized by the camera, even as the tourists themselves are busy exoticizing even the most mundane aspects of Sepik River life.

The film features interviews with residents of the nearby Rongelap and Utirik Atolls who were affected by nuclear fallout from the tests. Unlike in previous nuclear tests and despite the considerably more powerful nuclear explosion involved, these residents were not relocated to a safer location. Declassified American military footage is included in the production

The film features interviews with residents of the nearby Rongelap and Utirik Atolls who were affected by nuclear fallout from the tests. Unlike in previous nuclear tests and despite the considerably more powerful nuclear explosion involved, these residents were not relocated to a safer location. Declassified American military footage is included in the production

People whose family originated in India comprise just over half of Fiji’s population. Indians came to Fiji in colonial times under an indentured labour system to work in the sugar cane fields. Some indigenous Fijians wish to repossess the land now worked by the Indians and this results in Indians feeling insecure about their livelihood. The film looks at the life of Bechu Prasad, an old Indian man, who has lived in Fiji all his life in a large extended family of which he is now head. We watch him at work on his self-owned sugar cane farm and in his position as well-respected community leader who gets on well with both Indian and indigenous Fijians.

The people of the Bikini Atoll were removed from their homelands as a result of American testing of nuclear bombs in the Pacific. They now live on another island, dependent on American food and support. They can never go back to Bikini Atoll because it is poisoned beyond the possibility of habitation. This film is a poignant, impressive study of a people whose culture has been vanquished.

Believing that the spirits of their ancestors dwell in the mako shark, shark callers are not only hunting but also maintaining a connection with their past.

Examining the change of culture in the small island after American television began being broadcast.

A companion to Yumi yet, O’Rourke and Kildea’s Ileksen (derived from the English 'election’) documents Papua New Guinea’s first general election in 1977. The film records a broad cross-section of candidates who, without an extended media network at their disposal, rely on relentless campaigning, ingenuity and personal charisma to attract votes. Emphasising the divide between coastal people and highlanders, Ileksen looks at the election campaign, election day and the political manouvering that goes with the formation of a government.

Documents Independence Day of Papua New Guinea on September 16, 1975, comparing the pageantry of local celebrations with the official ceremony in the capital. Also provides historical background about the area's 19th-century colonization by Holland, Germany, and Great Britain.

Documents Independence Day of Papua New Guinea on September 16, 1975, comparing the pageantry of local celebrations with the official ceremony in the capital. Also provides historical background about the area's 19th-century colonization by Holland, Germany, and Great Britain.