Martin Arnold

Martin Arnold

Historia

Martin Arnold (born 1959 in Vienna, Austria) is an experimental filmmaker known for his obsessive reworkings of found footage. He is also a founding member of the Austrian film distributor Sixpack Film. Arnold studied psychology and art history at the University of Vienna. He has taught filmmaking at the University of Wisconsin–Milwaukee, the San Francisco Art Institute, the Academy of Fine Arts in Frankfurt, the Kansas City Art Institute, Bard College, and at SUNY Binghamton. His films are distributed by Canyon Cinema in the United States and by Sixpack Film in Austria. Source Wiki

Perfil

Martin Arnold

Películas

Background Check
Director
color, silent, 2:50 loop
In Tinseltown
Director
color, sound, 2:14 loop, 2020
Full Rehearsal
Director
In a later group of short film loops such as Soft Palate (2010) and Whistle Stop (2014),[5] Arnold seems to discover psychoanalytic underbellies in the most popular form of post-war family entertainment, animation, and its most iconic characters such as Mickey Mouse (using two of Mickey's shorts, one of them Mickey's Delayed Date), Tom And Jerry, Daffy Duck (Draftee Daffy) and Goofy (How To Play Golf).
Elsewhere
Director
color, sound, 3:00 loop, 2016
Black Holes
Director
cel animation, repetition, and disappearance... color, sound, 5:20 loop, 2015
Whistle Stop
Director
"It had to be me."
Tooth Eruption
Director
Recomposing teeth gestures.
Charon
Director
Hydra
Director
Nix
Director
Self Control
Writer
Parts of a comic strip are animated.
Self Control
Director
Parts of a comic strip are animated.
Haunted House
Writer
Parts of Mickey Mouse floating in a Haunted House
Haunted House
Director
Parts of Mickey Mouse floating in a Haunted House
Soft Palate
Writer
Body parts of a cartoon character.
Soft Palate
Director
Body parts of a cartoon character.
Shadow Cuts
Writer
In a later group of short film loops such as Soft Palate (2010) and Whistle Stop (2014), Arnold seems to discover psychoanalytic underbellies in the most popular form of post-war family entertainment, animation, and its most iconic characters such as Mickey Mouse (using two of Mickey's shorts, one of them Mickey's Delayed Date), Tom And Jerry, Daffy Duck (Draftee Daffy) and Goofy (How To Play Golf).
Shadow Cuts
Director
In a later group of short film loops such as Soft Palate (2010) and Whistle Stop (2014), Arnold seems to discover psychoanalytic underbellies in the most popular form of post-war family entertainment, animation, and its most iconic characters such as Mickey Mouse (using two of Mickey's shorts, one of them Mickey's Delayed Date), Tom And Jerry, Daffy Duck (Draftee Daffy) and Goofy (How To Play Golf).
Jeanne Marie Renée
Director
A 12-hour installation piece comprising slowed-down footage of Renée Jeanne Falconetti in Carl Theodor Dreyer's 1928 film La Passion de Jeanne d'Arc.
Deanimated: The Invisible Ghost
Director
This piece was designed as an installation piece for projection as a 60-minute loop in gallery spaces. Deanimated is literally displaced from the theater environment typical of film spectatorship, slightly blurring the boundaries between the spaces of projection and reception. "Deanimated: The Invisible Ghost," is based on the 1941 horror film "The Invisible Ghost" with the lead actors Bela Lugosi, Polly Ann Young, and John McGuire. In "Deanimated" the actors are gradually eliminated and thus the narrative loses its coherence. What remains are backgrounds, erratic camera movements that seem to move without focus throughout the room, capturing ghostly changes in light and shadows. In this project, Arnold asks fundamental philosophical questions about human existence and presence in absence. Although the actors are missing, they leave behind traces (such as smashing bullets together, dust stirring up …) and are experienced precisely in their absence as a ghostly, unreal present.
Alone. Life Wastes Andy Hardy
Director
In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama.
Psycho/Viennale Spot
Director
Rendering and composing a fragment from the shower scene of Alfred Hitchcock´s Psycho anew with the possibilities of digital retouching
Don't - Der Österreichfilm
Director
Found footage sequences from various obscure campy Austrian films assembled together with a very dark disturbing soundtrack.
Kunstraum Remise
Director
A short segment of film is played with musical backing at various speeds for a jarring effect.
Jesus Walking on Screen
Director
A short found footage trailer made for a film program dedicated to the depiction of Jesus in cinema.
Passage à l'acte
Director
An avant-garde sonic and visual reediting of a short clip from the classic 1962 film "To Kill a Mockingbird".
Pièce touchée
Director
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.