Secrecy (2018)

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

A study of light and shadows, framing and composition with no clear narrative. A visual essay on silence and the passing of time.

An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.

Through a particular shooting technique, the initial panorama is fragmented into many overlapping visions until it reaches the abstraction of pure light.

A photographer looks at pictures of the last day of a boy's life.

A recurring drone changes and reshapes the land and sea.

Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.

During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.

A man who wants to end his life in this mortal world in three acts.

During a walk through the forest, a woman reflects on life and memories.

The silent daily routine of a young man is revisited through Dostoevskian musings.

An abstract, experimental film of a character observing a rainy night.

Images of concrete and stone. A cemetery. Light making its way through the tree leaves.

A chronological study of the view from a single window onto the skylight of Passaporta, a bookshop in Brussels. Shot over eighteen months and making extensive use of time-lapse filming. The work is underpinned by Siegfried Kracauer's assertion that we can never exhaust the field of view.