Jak šlo šídlo do světa (1968)

1938年のオーストリア、院長の命により厳格なトラップ家へ家庭教師としてやって来た修道女マリア。彼女の温かい人柄と音楽を用いた教育法で、七人の子供たちはマリアの事が好きになるが、父親であるトラップ大佐とマリアの衝突は絶え間なかった。だが、次第に大佐に惹かれている事に気づき悩むマリア。やがて大佐の再婚話が持ち上がり彼女は傷心のまま修道院に戻る。

For more than thirty years, and through his television program, Fred Rogers (1928-2003), host, producer, writer and pianist, accompanied by his puppets and his many friends, spoke directly to young children about some of life's most important issues.

Bravely going where no ventriloquist has gone before, Nina Conti concocts a virtual zoo of puckish characters for this world premiere show. Talk to the Hand is an hour of nimble, profanity-strewn stand-up from the vibrant Nina Conti and her touring companions: the scruffy monkey, a posh-sounding owl-poet with a taste for generic verse, a Scottish granny, and the vodka-loving Lydia, recently purchased from another ventriloquist and yet to find a voice she likes. Her alter-egos come face to face with apparitions, special guests and real live humans which means you can rely on consistent lashings of warmth, technical brilliance, and vibrant wit.

Monty is a young cute rat in a rat world living beneath the streeets of Manhattan. When exterminator Dollart gets a new lethal spray to kill all the rodents, Monty, his friend Isabella and Jean-Paul Canalligator have to travel to magic land to make things right.

A feature-length adaptation of the award-winning digital broadcast, "Tell 'em Steve-Dave". Sort of like the Muppets, but with much darker subject matter. Bry, Walt and Q (with occasional guests) host a weekly podcast #TESD to discuss the ups and downs of their life. For the first time ever, experience some of the most popular of their legendary tales through the medium of puppetry.

Focuses on the collaboration between cabaret and drag artist Joey Arias and master puppeteer Basil Twist, whose 2008 show brought them some of the biggest success of their careers.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?

Mario and Netta Show is a quite successful show. Mario is the ventriloquist, Netta is the puppet with whom he shares the scene. Theirs is a complicated relationship, not just on stage.