William Buys a Parrot (1963)

A montage of some home movies taken by Archie Stewart (1902-1998), an early enthusiast in taken 16 mm sound films of his family. We see his daughters, Mary and Anne, playing in the aftermath of a January, 1936, snowstorm. Next, indoors, the girls bring in a birthday cake and sing to Archie. He has Anne read to him from a children's book, and a year later, has her read aloud to show her progress. Anne and Mary dress up Pat the family dog in a dress and scarf and hold a tea party, chattering away. Archie's high-pitched voice provides narration on and off camera.

Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.

Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)

The elderly inhabitants of a village in Vojvodina look back on the war and the partisan battles. The film also examines how collective memories and myths enter the individual consciousness.

A beautiful panoramic view of lower New York from Barclay Street to Battery Park, showing a beautiful stereoscopic effect of the sky-scrapers in the business section of the city.

Three reporters and an office girl are trying to stop a bacteriological strike by some powerful western business leaders against the USSR.

A portrait of Serbia's erotic surrealist painter Popovic Ljuba.

An avant-garde theater troupe works through a series of unrelated episodes on en empty sound stage.

Schroeter’s film is a chronicle of Germany from the Nazi era until the economic boom of the 1950s and 1960s, centering on three women who search for a career as singers and dancers.

Buster agrees to pose as a murderer to throw off the police while his room mate, a reporter, searches for the real killer.

A tragic celestial-western that explores Adam and Eve's paradise from a surreal point of view.

This is an animated film about a country ruled by a dictator. The little general who has all power in the country, has denied its people to read and write. The one rule after another are being introduced to prevent words from spreading, for general knew understood that art and knowledge are essential for freedom. But there are ways to fool strict generals on. A small book printer will not let himself stop of prohibitions, but keeps confidently on their books and words, and he gets help from both the weather and other great powers.

Bergensbanen is a real time documentary film of the entire journey by rail from Bergen to Oslo in Norway. The journey, lasting almost seven and a half hours, was filmed by cameras on the outside of the train, and is interspersed with interviews, archive footage and music. An alternative cut (the version commonly available on the internet) consists entirely of unbroken phantom ride footage.

Two children deal with the arrival of a foster brother, a Cambodian refugee. All three of them discover a hermetic retired railway engineer living in the woods. Then the children find an abandoned locomotive and, with the help of the engineer, bring it back to working order.

Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film “derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, i.e. the frame and the recorded syllable. Thus its ‘dramatic’ element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.’”

Early hardcore stag film.

Ivan, a 14-year old boy, lives with his uncle Jaime, a mediocre dealer of used car parts. Both of them dream with a better life and are stashing away their money in order to emigrate ilegally to Chicago shortly. When Jaime realizes that he needs much more money than he expected in order to pay the "Coyote" that will help them cross the border, he decides to introduce his nephew into the world of car-part theft. Ivan learns quickly the know-how of his new trade and convinces Efrain, his best friend, to help him. The kids enjoy themselves together and carry out Jaime's orders skilfully until Ivan realizes that his uncle's intentions for the trip have changed since they first made their plans.

The residents in heaven are worried because Santa does not know what to do. All of the children would like a sputnik that beeps for Christmas. Nobody in Santa's crew knows what a sputnik is. So he has to go to earth and find out about it.

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarized image reminiscent of thick strokes of a paintbrush.” - Philippe Azoury