Mamani in El Alto (2022)
ジャンル : ドキュメンタリー
上映時間 : 1時間 35分
演出 : Heinz Emigholz
脚本 : Heinz Emigholz
シノプシス
His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.
海辺の別荘に2年前に投函された手紙が届く。手紙のやり取りを始めると、男は時間軸が違うと気づく。そして未来では男が死んでしまい、女はそれを回避するために行動する。男の死は免れ、2人は出会うことができた。
他人の夢に潜入してアイデアを盗み出す企業スパイのコブは国際指名手配犯であるが、それと同時に妻モルを殺した容疑もかけられていた。そんな彼に日本人男性サイトーからある依頼が。それはこれまでのように思考を盗み出すのではなく、標的にした人物の潜在意識に、あるアイデアを移植する“インセプション”という仕事だった。コブはサイトーを含むスペシャリスト6人を集め、標的の男性ロバートの夢に潜入しようとする。
19世紀末の西部史に名高い、二人組の強盗ブッチとサンダンスの逃避行を、哀愁とユーモアをこめて描く。列車強盗としてならしたブッチとサンダンス。しかし、近代化に向かう時代に、彼らの生き方はあまりにも旧弊だった。新たな夢を求めて、二人は南米ボリビアへと旅立つが……。
著名な建築家ロイヤル(ジェレミー・アイアンズ)が設計を手掛けた高層マンション群、ハイ・ライズがロンドン近郊に完成。豪華な内装が施され、スーパー、プール、学校、レストラン、医療施設なども完備したそのマンションに、医師のラング(トム・ヒドルストン)が入居してくる。毎晩のように隣人たちの開くパーティーに参加するうちに、彼は低層階と高層階の住民の間で階級をめぐるあつれきが起きているのを知る。ある日、停電を機にハイ・ライズの内部はすさまじい混乱に見舞われ……。
In 1981, an enthusiastic young adventurer follows his dreams into the Bolivian Amazon jungle with two friends and a guide with a mysterious past. Their journey quickly turns into a terrifying ordeal as the darkest elements of human nature and the deadliest threats of the wilderness lead to an all-out fight for survival.
銃の開発によって膨大な富を築き上げたウィンチェスター一族の女性で、娘と夫に先立たれたサラは、銃で死んだ人々の怨霊から身を守るため24時間365日、とりつかれたように屋敷の増改築を繰り返していた。狂気にとらわれたサラを診察しに屋敷を訪れた精神科医のエリックは、ある部屋に違和感を抱く。
In the Bolivian altiplano, Virginio and Sisa, an elderly Quechua couple who have lived a quiet life for years, face an impossible dilemma during an unusually long drought: resist or be defeated by the hostile environment and the relentless passage of time.
イギリス。バクスター夫妻は、突如として愛娘クリスティン(シャロン・ウィリアムズ)を水難事故で失ってしまう。 数ヶ月後、ジョン(ドナルド・サザーランド)は妻ローラ(ジュリー・クリスティ)を連れ、教会修復の仕事でイタリアのベニス(ヴェネツィア)へと赴いていた。ある日、夫妻は年老いた姉妹と邂逅する。姉ウェンディ(クレリア・マタニア)曰く、盲目の妹ヘザー(ヒラリー・メイソン)には霊感があり、赤いレインコートを着た亡き娘さんの姿が視えるというのだ。その後、姉妹と再会したローラは、亡き娘の言葉を借りたヘザーから「ベニスを去らなければ、ジョンの身に危険が降りかかる」と忠告される。ジョンはその警告に取り合わず、ローラは不安になるのだった。
Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.
After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.
When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey, a young architecture enthusiast who works at the local library.
ハンナ、ホリー、リーの芸術家三姉妹と、二人の男性の恋愛関係を絡めながら、“人生のほろ苦さ”を描いた感動作。シニカルなのにコミカルで、でもその視点は終始温かいというアレンならではの作品。
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After being denied an American visa, a Bolivian professor becomes involved in a web of criminal activities, holds-up the American consulate and falls for a beautiful prostitute from the Bolivian lowlands.