Imaginario Inconcluso (1990)

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演出 : Pablo Basulto

シノプシス

出演

製作陣

Pablo Basulto
Pablo Basulto
Director
Carlos Salinas
Carlos Salinas
Executive Producer
Andrés Prieto
Andrés Prieto
Assistant Director
Pablo Salas
Pablo Salas
Camera Operator
Francisco Basulto
Francisco Basulto
Camera Operator
Pablo Basulto
Pablo Basulto
Camera Operator
Pablo Basulto
Pablo Basulto
Editor
Andrés Prieto
Andrés Prieto
Editor
Fulano y Congresso
Fulano y Congresso
Music

似たような映画

The Battle of Chile: Part I
The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.
グリーン・インフェルノ
不正なアマゾンの森林伐採の実態を世に訴えるため、学生たちの活動家から成るグループは現地に赴く。その後、彼らの度を越した行動が目に余ったため全員強制送還されることになるが、その途中で搭乗機がエンジントラブルを起こしてしまう。熱帯雨林に墜落した飛行機の生存者たちは救助を求めるが、彼らを待ち受けていたのは食人族だった。
モーターサイクル・ダイアリーズ
医学生のエルネストは、親友アルベルトとともに中古バイクで南米大陸縦断1万キロの旅に出た。やがて彼はラテン・アメリカの真の姿に気づいて……。革命家チェ・ゲバラの青春時代をたどった注目作。
Death and the Maiden
A political activist is convinced that her guest is a man who once tortured her for the government.
コロニア
1973年9月11日、キャビンアテンダントのレナは、仕事でチリを訪れる。彼女は、現地でジャーナリストの恋人ダニエルと再会を果たしたものの、突然チリ軍部によるクーデターが起こり、反体制勢力としてダニエルが連行されてしまう。彼を救うため、レナは“コロニア・ディグニダ“に潜入する。
ポーラー 狙われた暗殺者
When a retiring assassin realizes that he is the target of a hit, he winds up back in the game going head to head with a gang of younger, ruthless killers.
チリ33人 希望の軌跡
2010年8月5日、チリのサンホセ鉱山で落盤事故が起こり、坑道の奥深くに33人の従業員が閉じ込められてしまう。食料の備蓄は3日分しかなく救出活動も難航する中、地下700メートルの避難所ではマリオをリーダーに、従業員たちが少しずつ食料を分け合いながら救援を待ち続ける。次第に生存が絶望視されていく中で17日目、33人の生存を外にいる救出員たちが確認し、大型ドリルを使った救出作戦が決行される。
ザ・インフェルノ
Four friends visit a rural locality of Chile, are brutally attacked by a man and his son. After not finding help in the town, they decide to confront these men with the help of a pair of policemen. But in this way, they will discover that their attackers have in their blood the direct legacy of the darkest period of Chilean history and will have to face the most brutal enemy.
Waking the Dead
A congressional candidate questions his sanity after seeing the love of his life, presumed dead, suddenly emerge.
No
In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.
Missing
Based on the real-life experiences of Ed Horman. A conservative American businessman travels to Chile to investigate the sudden disappearance of his son after a military takeover. Accompanied by his son's wife he uncovers a trail of cover-ups that implicate the US State department which supports the dictatorship.
エマ、愛の罠
Ema is a magnetic and impulsive dancer in a reggaeton troupe. Her toxic marriage to choreographer Gastón is beyond repair, following a decision to give up on their adopted child Polo. She sets out on a mission to get him back, not caring who she’ll need to fight, seduce or destroy to make it happen.
The Wolf House
María, a girl from Colonia Dignidad, in Chile —a kind of sectarian community, tyrannically mastered by the ruthless Paul Schäfer, a German madman, religious fanatic and child predator, who would end up turning the place into a torture center at the service of the military dictatorship ruled by Augusto Pinochet—, is punished for having lost three pigs, so she decides to run away and take refuge in an abandoned house hidden in the forest.
Tony Manero
A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".
Machuca
Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.
Nostalgia for the Light
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.
Crystal Fairy & the Magical Cactus
Jamie is a boorish, insensitive American twentysomething traveling in Chile, who somehow manages to create chaos at every turn. He and his friends are planning on taking a road trip north to experience a legendary shamanistic hallucinogen called the San Pedro cactus. In a fit of drunkenness at a wild party, Jamie invites an eccentric woman—a radical spirit named Crystal Fairy—to come along.
家政婦ラケルの反乱
Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.
Post Mortem
In Chile, 1973, during the last days of Salvador Allende's presidency, an employee at a Morgue's recording office falls for a burlesque dancer who mysteriously disappears.
New Year
When everyone is supposed to be celebrating the arrival of a new year, the Chilean director Cristobal Valenzuela takes to the streets of Santiago to give voice to another facet, less colorful and festive, undoubtedly invisible, of this eve. Lonely pedestrians who roam the streets of the city inhabit the frame of a handheld camera that allows them to express themselves. Comments of hopelessness and tiredness, contrasting with the sky lit by fireworks, give us a glimpse to that other social image.