Portrait of a Landscape Artist

A down-on-his-luck cop runs into harder times when he is searching for a missing woman

A group of French students are drawn into the psychological and sexual games of a mysterious Dutchman. Once they sample his "fear powder" the students experience a series of hallucinations.

While staying at a picturesque village, a teen encounters the underground world of art forgery.

スペイン現代美術を代表する画家アントニオ・ロペスの創作過程を追ったドキュメンタリー・フィルム。アントニオ・ロペスは、二〇世紀後半の世界の美術界で注目される「マドリード・リアリズム」の中心的存在で、寡作で知られる画家。彼の長年のテーマである陽光に輝くマルメロの実を描くことを中心に、彼をめぐる世界の、様々な側面を描いていく。

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

A Short Film About John Bolton is a darkly hip and hilarious film explores the question that torments artists of every medium: "Where do your ideas come from?" Renowned artist John Bolton's paintings of voluptuous she-vampire nudes have earned this quiet eccentric a reputation for having a "damaged imagination." BBC radio personality Jonathan Ross buys his pieces, which leads interviewer extraordinaire Marcus Brigstocke to find out what the appeal is in Bolton's beautiful (but terrifying) artwork. Why does Bolton demand that his gallery "monsterpieces" speak for themselves? What does he do with that ornamental knife that he carries everywhere? Will Marcus ever learn how to operate the camera?

The German artist Joseph Beuys is reflecting on his theory of art, being filmed as a kinetic sculpture. In 1981, the film has won the German film critic's award for “Best short film in Germany”.

A documentary about the life and art of wood-block artist Katsushika Hokusai.

In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.

「アート・アニメーションの神様」として世界中のアニメーターたちから尊敬を集めるロシア人アニメーター、ユーリー・ノルシュテイン監督が1968年に発表したデビュー作。美術監督のアルカージィ・チューリンとの共作で、1920年代のロシア・アバンギャルドアートに着想を得て、ロシア革命で権力者たちが怒れる民衆に打ち倒される姿を鮮烈に描き出す。画家ジョルジュ・ブラックや詩人ウラジミール・マヤコフスキーら熱き時代のアーティストたちの作品をモチーフに、戦いに身を投じた人々の想いを再現した。

Charting the intersection between rural America and contemporary graphic design.

Someone is stealing priceless paintings from the great museums of the world and replacing them with nearly flawless forgeries. Leonardo da Vinci's "Madonna and Child" is being shipped to London's Tate Gallery for a special exhibition, and Paul Mitchell is assigned to protect it. Upon the painting's arrival, Paul realizes it has been switched. Eager to collect the museum's $50,000 reward, he teams up with Mary Mason, a Tate employee, to recover the original.

Delightfully comic exploration of the emotional and social geography of an art-house film director.

In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

1950年代から1960年代にかけて、哀愁漂う大きな目の子供を描いた絵画「BIG EYES」シリーズが世界中で人気を博す。作者のウォルター・キーンは一躍アート界で有名人になるものの、実際に制作していたのは妻マーガレットだった。自身の感情を唯一表現できる絵画を守るため、マーガレットは自分が描いたという事実の公表を考える。

Antônio Martins, respected theatrical critic, is a very rational man. But a chance meeting with young Inês, a nude painting model, is going to rock him. Inês keeps a relationship with painter José Torres Campana, an older man with a deep influence over her. Antônio gets jealous, and the three become characters of a drama saturated with desire and danger.

L.A.にある人気スターの大豪邸でエイリアンに襲撃された超わがまま俳優6人が、エゴとエゴをぶつけながらサバイバルに挑む爆笑世紀末コメディ。セス・ローゲンが製作・監督・脚本・主演をこなした意欲作。ジェームズ・フランコ、ジョナ・ヒルらが共演。

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

On the isle of Rhodes, Katherine, an expatriate English photographer, lives with her daughter. A young local wants to encourage tourism, so he commissions a sculpture of the Unknown Tourist for the town square; the sculptor he brings to Rhodes is Kate's ex-husband. Also there to see Kate is Sharp, an aging antiquarian and her dear friend. He has something important to tell her. As Kate, her ex, and Sharp sort out things that go back years, two English tourists bumble about, one thinking he's fallen in love with Kate, his wife thinking she's found her own lover. A rare vase, a spy, old friendships, the statue's unveiling, and off-hand English sorting-out play into the resolution.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.