Наше кино (1940)
ジャンル : ドキュメンタリー
上映時間 : 0分
演出 : Fyodor Kiselev
脚本 : Mark Tseytlin
シノプシス
Young Max discovers that grandfather Gustav cannot swim and decides to teach him. But Gustav thinks that it may be too late for him...
How do three brothers change when their parents inexplicably disappear?
A teenage boy named David is afraid of being transparent. When David's best friend, Johnathan, notices his abuse at home, David must overcome his fear of rejection in order to embrace his friend's support.
Mariana must sacrifice her dog Frida after violently beating it for having destroyed her recently deceased son's toys. The pet's death helps Mariana accept and overcome the loss of her son.
Carlos, a man haunted by his past, plunges into an existential crisis that leads him to day-to-day apathy due to the loss of a child, an act that condemns a declining marriage and continuous desolation.
Crossing hills and streams, a muleteer determined to find the murderer of his father, will discover that in revenge the weakest can be the fiercest.
Animated short film
Two children in the countryside. Time lazily goes by on a hot month of August as they long for adventure.
Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.
The steak has been marinating for a few days now. The pan is heated. Franc's stomach is rumbling. But Liza's co-workers surprise her with a birthday party. Will she be home on time?
The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.
Nikita loves to listen to techno music and dreams to go to Berlin and visit the famous club “Berghain”. His mother Irena doesn’t know about his son’s dreams and soon enough their mutual expectations will clash.
Chiara feels that there is something wrong. She has a strange feeling she cannot explain to her mother or sister. During the night, after overhearing a heated argument between her parents and witnessing something shocking, her world is overturned and her safety net crumbles. Reality and dreams start to blur and Chiara’s life will never be the same.
A former bourgeoisie family's preoccupation with socio-economic identity continues even into death as they decide what the best burial plot for their aunt is.