Early 80's, Sara is a good-family girl, she has never been with a man, does not drinks, does not take drugs. Following her love, she enters in "El Calentito" a bar where the group "las Siux" is singing.
1890年代の米国南部。戦死したと思われていたジャックが6年ぶりに帰還し、妻や村人たちは動揺する。しかも、粗野だった彼は温和な性格に変わっていて……。謎めいたラヴ・ストーリー。
大会社で働く平凡なOLが、新任女性重役になりすまして……。メラニー・グリフィス出演によるコメディ・タッチの爽快なサクセス・ストーリー。シガニー・ウィーバーの悪役ぶりや、ハリソン・フォードの演技も見どころ。
The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.
Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.
NY。人気トーク番組のスタッフとして働くジェーン（アシュレー・ジャド）は、新任のプロデューサー、レイ（グレッグ・キニア）と恋におちる。しかし同棲を始めようとした頃、レイは急に別れ話を持ち出した。彼へのあてつけに、同僚の構成作家兼プロデューサー、エディ（ヒュー・ジャックマン）の家に転がり込む。彼は毎晩違う女をベッドに連れ込むプレイボーイだったが、傷心のジェーンには温かく接してくれた。
Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a secret society and attempts to stop a mysterious species known as the "Dark Ones" from destroying all life in the universe.
King Corn is a fun and crusading journey into the digestive tract of our fast food nation where one ultra-industrial, pesticide-laden, heavily-subsidized commodity dominates the food pyramid from top to bottom – corn. Fueled by curiosity and a dash of naiveté, two college buddies return to their ancestral home of Greene, Iowa to figure out how a modest kernel conquered America. With the help of some real farmers, oodles of fertilizer and government aide, and some genetically modified seeds, the friends manage to grow one acre of corn. Along the way, they unlock the hilarious absurdities and scary but hidden truths about America’s modern food system in this engrossing and eye-opening documentary.
Amy is a single 29 year old Jewish woman. She wrote a successful self-help book about how women can't truly be in love and experience "mental orgasm." Her parents and acquaintances always try to give her advice. Eventually, she breaks her celibacy and starts dating a radio shock jock, who is known for hitting on his bimbo guests. Of all men, will she find in him the true love she never believed in
A look at man's relationship with Dirt. Dirt has given us food, shelter, fuel, medicine, ceramics, flowers, cosmetics and color --everything needed for our survival. For most of the last ten thousand years we humans understood our intimate bond with dirt and the rest of nature. We took care of the soils that took care of us. But, over time, we lost that connection. We turned dirt into something "dirty." In doing so, we transform the skin of the earth into a hellish and dangerous landscape for all life on earth. A millennial shift in consciousness about the environment offers a beacon of hope - and practical solutions.
In near-future New York, 10 years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.
Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.
Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.
スザンヌ（カトリーヌ・ドヌーヴ）は毎朝のジョギングが日課の幸せなブルジョワ妻だったが、ある日、雨傘工場を運営する夫ロバート（ファブリス・ルキーニ）が心臓発作で倒れ、雨傘工場を切り盛りすることに。亭主関白の夫の下で押し黙る日々を送っていた彼女だったが、子ども、昔の恋人、工場の従業員たちの協力を得て予想外の本能が目覚めていく。
Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.
A woman lies on the sand, left there by the tides and waves (and in a pose that would be copied in From Here to Eternity). She reaches up across tree roots and makes a difficult climb. Only to discover herself climbing horizontally along a long dinner table as bourgeoise black-tie guests chat and drink and smoke, oblivious to her. At the top of the table, a man is playing chess but abandons the game. Fascinated, she gazes at board, the pieces moving unaided. The woman chases a pawn as it falls to the floor. Falls down a waterfall. Is lost.
フィンランドの山奥で、元CIA工作員の父親に格闘に関するテクニックを教え込まれたハンナ。彼女は、人の痛みを知らず感情を持たないまま16歳になる。すでに父親の戦闘能力を超えていたハンナは、ある任務のためにヨーロッパへと旅立つが、父親の同僚だったCIA捜査官のマリッサがしつこく追ってくる。
Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
