Rope’s End (2022)

The isolated, hermit kingdom of the DPRK is shrouded in secrecy, It's nearly impossible to get any reliable information from behind the bamboo curtain. Nonetheless, every week, on T.V. and online, we are bombarded by the bizarre media-spectacle of North Korea. From nuclear apocalypse and prison camps to banned sarcasm and compulsory identical haircuts - any shred of information regarding North Korea becomes a viral media hit, regardless of how dubious the story is. But that's all about to change. Two Aussie boys decided to take matters into their own hands and go to North Korea to find out the truth for themselves. Join us as we look past the click-bait and unpack the forces behind the way our media represents the "Democratic People's Republic of North Korea".

A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

"El Rati Horror Show" is a documentary portraying the dramatic story of Fernando Ariel Carrera, an ordinary man unjustly convicted to 30 years of prison -not by mistake but deliberately- by the manipulation of a Judicial Case. The movie takes as a central point the way in which Fernando Carrera's case was set up: the manipulation and alteration of evidence at the scene; the manipulation by the police of the testimonies of the few witnesses called to declare; the manipulation of national media by Rubén Maugeri, key witness and president of the 34th Precinct Friends Association. On the other hand, we show how Fernando Carrera lives his days in prison, knowing he is another victim of police excesses and of a legal system that unjustly convicted him

From the front lines of the bankrupt Chicago Tribune, to the vibrant local online publishing and start-up scene, pioneering journalists struggle to reinvent a storied, yet troubled industry. "Mashed Media" visits bloggers, independent publishers, hacker journalists, and social media mavens working in the trenches of Chicago, providing a rare and intimate look at the future of journalism now.

Year after year hundreds of thousands of fans line the route of the Tour de France, cheering on their heroes and willing them to victory, while millions of viewers worldwide tune in on their televisions. Academy Award-winning director Pepe Danquart, fascinated by the spectacle of the three week race, chose to focus on the courage, the pain and the fear of the riders of the Tour. Training his lens on German superstar sprinter Eric Zabel and his loyal domestique Rolf Aldag, Danquart captures the thrill of the race and the teamwork behind the stars of the peleton. He also shines light on the Tour's supporting cast - the director sportifs, masseurs, and, of course, the wildly enthusiastic fans. Reveling in the stunning landscape - from the Alps to the Pyrenees to the Massif Central to Paris - and with a nice dollop of Le Tour's history, HELL ON WHEELS transcends the sport it celebrates to reveal an astonishing human endeavor.

A documentary on the marketing of pop culture to Teenagers.

A housewife (Perri Cummings) who becomes infected with the vitriolic words of a bigoted talk radio host, in this commentary on the culture of fear and distrust spread by the media post-9/11. Created for Drafthouse Films’ THE ABCS OF DEATH ‘26th Director’ competition.

Comedian Lloyd Hamilton escorts a group of beauty contest winners to various Hollywood night spots.

A documentary that takes a look at the film and media industry of New Mexico and its impact today.

Based on Lee Smith's book of the same name, this documentary follows the story of the biggest political scandal in U.S. history.

In a trouble-ridden Northern Ireland, football and writing prospect Anthony's relationship with his brothers comes under danger. Exploring religious divides and the importance of family, Anthony will come face-to-face with the one thing he is trying to fight.

The representation of women in contemporary Italian media

In the wake of a terrorist attack, a group of young people in New York seek to capitalize on the hysteria in a variety of morally dubious ways.

Basically this is a commercial for Hollywood's Lido Lounge and for MGM contract players. The Lido is a large watering hole; we visit one afternoon with an orchestra playing, all sorts of stars and would-be stars sitting at tables near the pool alongside paying customers, and bathing beauties parading and diving. The Lido's manager, Reggy Denny, introduces the stars in the audience. He's sometimes interrupted by someone who does a bit, sings a song, or otherwise entertains: most of these are novelty acts. By the end, everyone's having a swell time.

There are children, too, among the Palestinian insurgents. For some time now, the Israeli side has observed minors who take an active part in an Intifada, especially with knives. They are harshly dealt with: prison, hardly any judiciary support. Ada Ushpiz, filmmaker and journalist, comes surprisingly close to some of the Palestinian families concerned. She has accompanied the dubious insurgents over several years and witnessed terrible pressure.

Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections.[2] Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.

This documentary traces the deep-rooted stereotypes which have fueled anti-black prejudice.

In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.