Open Secret (2023)

A taboo in the family: the death of my great-grandmother Sofía. The surface of this history is known but not the background and much less the beginning, only its end. The tragic end The answers are in the family, in my grandparents and my uncles. This project is a tribute to her and the woman she was.

アメリカ　コロラド州の平和な田舎町。昼下がりに異様な数の兵士がパラシュートで次々と降下してくる。ソビエトの兵装の兵士達は次々と降下し銃撃を開始した。武器を持たぬ市民は虐殺されていくが高校生ジェドはその仲間達は間一髪山中へ逃げ込み少ない武器を手に取り反撃を開始する。

A reality TV director copes with a spoiled celebutante and a show gone haywire when a masked killer starts bumping off the crew in this slasher-movie satire.

ネバダの砂漠地帯にある小さな田舎町に突然出現した未知の生物。地中を自在に移動する巨大な蛇状モンスターと住民の攻防が、白昼の下で展開される。「JAWS／ジョーズ」のプロットを使った作品は数限りないが、地表を波立たせて襲い来るこのモンスターは文字通り“陸のジョーズ”で、映画の出来も本家に迫るものがある。モンスターの設定から、それを有効に生かしきったストーリーまで、とにかくアイディア豊富で、存分に楽しめる怪獣映画の快作。TVムービーによる続編「トレマーズ2」も製作された。

When Jesper distinguishes himself as the Postal Academy's worst student, he is sent to Smeerensburg, a small village located on an icy island above the Arctic Circle, where grumpy inhabitants barely exchange words, let alone letters. Jesper is about to give up and abandon his duty as a postman when he meets local teacher Alva and Klaus, a mysterious carpenter who lives alone in a cabin full of handmade toys.

When the Scooby gang visits a dude ranch, they discover that it and the nearby town have been haunted by a ghostly cowboy, Dapper Jack, who fires real fire from his fire irons. The mystery only deepens when it’s discovered that the ghost is also the long lost relative of Shaggy Rogers!

Teenage detective Xander DeWitt is the new kid at Bixler Valley High, and he's there to unravel the biggest mystery of his life- the truth about his missing father. But in order to crack this case, Xander must learn to work with a partner- fearless investigative reporter Kenzie Messina.

Trying to escape her broken past, Sarah O’Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.

Retrospective live interview and discussion in San Francisco where the Kids in the Hall look back at their comedy and its impact. Released on DVD for their 2008 tour.

Likely the world's oldest color film, shot in 1902. Like other works by Edward R. Turner, there is no indication that it was ever relesead to the public before its discovery in 2012.

A documentary portrait of Michangelo Antonioni based on Roland Barthes' essay.

Interviews with varied U.S officials and experts offer a deconstruction on the Bush administration's case for war in Iraq in the wake of 9/11.

Exploring the devastation of the 1930s, Lisa Jackson shapes amateur-shot archival film from a South Dakota town and audio interviews of residents who lived through the Great Depression to craft a moving and powerful allegory of contemporary financial corruption.

A collection of shorts made by various directors in response to 9/11.

While writing a book on the circus, author John Shawcross reflects upon the great acts he has seen over the years and the mystique of circus people. He recalls the solo trapeze act of La Mara; Tarzan, Sahib, and their elephant; Marco's sword-balancing act; an archery act in which Grey Arrow shoots an apple off the head of Zuni, his wife; the Mascott Sisters' head-to-head balancing act on a high ladder; the juggling of Rudy Cardenas; high bar specialists, the Tongas; Gunther Gebel Williams with his tiger; the flying bar act of the Laribles; Carl Sembach-Krone's trained horses; lion tamer Pablo Noel; the Gaonas and the Four Titos on the trampoline; the Flying Armors on the flying trapeze; Frieda Krone and her elephants; Fredy Knie, Sr., and his Lippizaner; the Francesco Clowns; Lilly Yokoi on her bicycle; Mendez and Seitz on the tightrope; and Pauline Schumann on the trick horse.

A film directed by Ledare during a three-day conference that he organized in Chicago that was structured according to the Tavistock method—a project that involved recruiting 30 participants, securing the collaboration of 10 psychologists trained in the method, and directing a film crew. Complex patterns of stereotyping and other projections of identity emerge through the participants’ discussions; authority is questioned, assumed, and taken away; and viewers are implicated as the participants become aware of subjective forces that exist beyond the imposed boundaries of the conference system.