American Dreams (Lost and Found) (1984)

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences.

Ethnographic documentary emphasising the beauty and value of technical monuments and points to the wisdom with which past generations lived in harmony with nature.

After Japan's loss in the war, the wealthy, cultured, liberal Anjo family have to give up their mansion and their way of life. They hold one last ball at the house before leaving. The seemingly cold, cynical son secretly grieves for his defeated father and the values that the war destroyed, while the daughter tries to prevent father from taking his life and to find her own place in the new Japan.

Sir Anthony Blunt, who was a Soviet agent for 25 years, is routinely questioned and gives no answers, but is knighted and works as Director of the Courtauld Institute, and presents his interrogator with a puzzle in the shape of a doubtful Titian painting. He also does art restoration work in Buckingham Palace, where he gets into an interesting conversation with HMQ.

Fenella, a poor Italian girl, falls in love with a Spanish nobleman, but their affair triggers a revolution and national catastrophe.

Seminal piece of documentary filmmaking by New Wave director Karel Reisz following the daily activities of members of the Lambeth Youth club in late-1950s London.

About the Chinese drivers who transport coal from the coal fields to the buyers.

A Ruizian adaptation of Jean-Claude Gallotta's iconic wordless ballet choreography.

Sharits produced Color Sound Frames by rephotographing strips of his previous films. He moved the strips, singly and in pairs, across a light table in front of the camera at various speeds. Sprocket holes of the original strips are visible at the edges of the frame, and the soundtrack of this film replicates the rat-a-tat of silent film sprocket holes played with the sound on. - CMOA

"Blushing Charlie" - Truckdriver and bachelor Charlie meets homeless and seven months pregnant Pia. They both dream of finding someone to share their lives with. Charlie then faces a dilemma whether to take part in a demonstration in favor of Cuba, and in addition with his employer's truck.

A documentary on the role of women in India.

Hynningen (Swedish for ‘honey roof’) begins with long multiple exposures of a landscape with a clearing, opening up to the horizon.

A rollicking compendium of the greatest hits of silent-cinema chase sequences

A stunning study of real-time light changing from day to night which was filmed in a forest high up in California’s Sierra Nevada Mountains

A film documenting the landscapes of northern Iceland, as well as a recent work about the Hudson River.

A family's place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at an idea of freedom, which is reflected in the hand-processed Scope format, but is undercut with a sense of foreboding. There's no particular story; beginning, middle or end, just fragments of lives lived, rituals performed.

The Page family lives without electricity or running water deep in the Sussex woods. Amidst ever-growing modernity and industrialization, the family carries out chores, hunts pheasants, builds steam engines, and postulates on man's trip to the moon. They demonstrate fine lateral thinking and, through their particular delivery, display fears and concerns about pollution, intensive farming, mechanization, and self-fulfillment during a time of technological advancement.

Celebrating the circulation of the waters of the world, this homage to James Broughton's favorite sage Lao-tsu is illustrated by the dance of sunlight on the sea. Accompanying poem (read and written by James Broughton) was composed to the music of Corelli, from his Concerto Grosso No. 9 in A, performed on the harp by Joel Andrews.

This Oscar-nominated documentary short tracks the shift in the relationship of an individual to his work between the 19th century and today. Focusing on how nails are made, we first see a blacksmith laboring at his forge, shaping nails from single strands of steel rods. The scene then shifts from this peaceful setting to the roar of a 20th century nail mill, where banks of machines draw, cut, and pound the steel rods faster than the eye can follow.