Work in Progress (2001)
ジャンル : ドキュメンタリー
上映時間 : 2時間 5分
演出 : José Luis Guerin
シノプシス
An author spends a year and a half filming what happens as a new apartment building is built in a neighborhood of Barcelona.
Having finally secured her first assignment from her family's demolition business, Sam Walczak (Mischa Barton) is sent to supervise the destruction of an apartment house, only to discover a group of tenants still living in the condemned building. One such tenant, Jimmy (Cameron Bright), tells Sam an urban legend about a serial murderer who used to live in the building and entomb his victims in the walls. What's worse, the dead are believed to still harass the residents to this day.
Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.
The continuing adventures of the barbers at Calvin's Barbershop. Gina, a stylist at the beauty shop next door, is now trying to cut in on his business. Calvin is again struggling to keep his father's shop and traditions alive--this time against urban developers looking to replace mom & pop establishments with name-brand chains. The world changes, but some things never go out of style--from current events and politics to relationships and love, you can still say anything you want at the barbershop.
舞台は近未来のデトロイト。かつて自動車産業で栄華を誇ったこの街は犯罪都市と化し、巨大コングロマリット企業オムニ・コンシューマ・プロダクツ(OCP、通称オムニ社)によって警察(民営化されていて警察官から一般職員に至るまで会社員)を含む街全体が支配されていた。
アレックス・マーフィー巡査は、一連の警官殺しにおける犯人とされ指名手配中のマフィアであるクラレンス一味を追っていた。マーフィーはカーチェイスの末に一味の隠家を発見、潜入するも惨殺される。犯罪撲滅のため「警官のロボット化」を企画していたオムニ社は、死亡診断が下されたマーフィーの死していない生体部分を部品として利用、彼をロボコップとして蘇らせる。
ロボコップは驚異的な性能で優秀な成果をあげ、街の治安は少しずつ取り戻されて行った。しかし、ロボコップ自身は人間だった頃の記憶の断片に悩まされ、ついには自分が何者であったかを知ってしまう。
政府は、所在不明の3つの核兵器を使ってアメリカを破壊しようとする計画を知っていた。熟練した尋問官とFBI捜査官が、核の行方を正確に突き止めることになる。
Billy, a single mother of two, is led into a macabre underworld while her teenage son, Bones, discovers a secret road leading to an underwater town. Both Billy and Bones must dive deep into the mystery if their family is to survive.
The baker, the pie-maker and the diminished long-term community of Hoxton Street face gentrification in this compelling portrait of a rapidly changing London.
Based on the Korean legend, unknown creatures will return and devastate the planet. Reporter Ethan Kendrick is called in to investigate the matter.
Gospel Hill tells the intersecting story of two men in the fictional South Carolina town of Julia. Danny Glover plays John Malcolm, the son of a slain civil rights activist. Jack Herrod (Tom Bower) is the former sheriff who never got to the bottom of the murder. Their paths begin to cross when a development corporation comes to town with plans to raze Julia's historic Gospel Hill.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
サンミン(ハン・サンミン)は、16年前に別れた妻(マー・リーチェン)と娘を捜しに山西省から長江流域の都市、奉節にやって来る。昔の住所を頼りに妻の実家を訪ねたものの、そこはすでにダム建設のため水の底に沈んでいた。役所に問い合わせてもらちがあかず、結局、彼は安宿に腰を落ち着けて2人の行方を捜すことにする。
Director Kelly Anderson's personal journey as a Brooklyn 'gentrifier' to understand the forces reshaping her neighborhood along lines of race and class. The film reframes the gentrification debate to expose the corporate actors and government policies driving displacement and neighborhood change.
Victor works in a real estate agency in the well-known Chueca neighborhood of Madrid. He hides a terrible secret: he makes apartments available for sale by murdering the old ladies owners that live in them. Then, refurbishes and decorates the apartments to sell them to gay couples with high purchasing power. His ultimate objective is to transform Chueca into a kind of London Soho area.
Destroyed in a dramatic and highly-publicized implosion, the Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. The Pruitt-Igoe Myth explores the social, economic and legislative issues that led to the decline of conventional public housing in America, and the city centers in which they resided, while tracing the personal and poignant narratives of several of the project's residents. In the post-War years, the American city changed in ways that made it unrecognizable from a generation earlier, privileging some and leaving others in its wake. The next time the city changes, remember Pruitt-Igoe.
Otto is the only one who is able to save his Frisian fatherland; but he needs the help of his brother, who is abroad. But his brother does not want to fulfill what he has sworn as a child. So it takes Otto a while to convince him while time is running low for his plans to save East-Frisia.
A young apprentice (Aisling Franciosi) struggles to master nanotechnology on an alien world and prove herself to her enigmatic master (Aidan Gillen). Will her herculean goals remain tantalizingly out of reach, or will she fulfill them and in the process, change life as we know it? Tomek Bagiński’s short film Ambition is a collaborative project between the European Space Agency and Platige Image highlighting Rosetta, ESA’s real mission to rendezvous with, escort and land on a comet.
A fantasy-suspense that asks us if we live a routine or an eternal déjà-vu?
Recounts the 40-year history of building the Salt Lake Temple, shown as if recounted by Wilford Woodruff to a young reporter. It portrays the pioneers' dedication to temple worship.
Facing eviction the oldest black-owned gay bar in Brooklyn relies on a passionate community in its fight for survival.
A young couple decides to build their dream house, but run into numerous complications in the process. Everything from useless carpenters to building control gets in their way. Norwegian comedian Rolv Wesenlund plays 7 different roles in this movie.
Andras Kovacs' film, considered one of the most important Hungarian films of the 1960s, centers around four men who await trial for their involvement in the massacre of several thousand Jewish and Serbian people of Novi Sad in 1942. Each denies any responsibility, claiming that they were only following orders. The film is significant for its willingness to address the subject of Hungary's role in WWII, which was taboo at the time of the its release.
Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.
The creative and ambitious Carlos, a young Spanish film buff, manages to become a professional camera operator with time and effort, and is also blessed with the love of Anna, which he has longed for; but the outbreak of the Civil War in 1936 changes everything for both of them.
Ivón, a chorus girl, and Hugo, a failed writer, arrive at a seaside hotel on a stormy night, along with Carlos, Hugo's 19-year-old son. When they decide to lean over the cliffs of the coast to observe the wild dance of the turbulent waves down below, an unexpected event tragically happens.
An attempt to transform a Roman Western into a Greek tragedy.
Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.
A portrait of several characters of Spanish culture who were very popular at another time, but who were completely forgotten in their old age. All of them show the reality of abandonment and the decay of oblivion. They really are broken toys.
This film uses stop motion animation of still photographs to convey images of politics and science in the nuclear era. The advancement of science allows man to do things he never would have been able to do without, for good or bad. Politicians are either behind the scenes manipulating those scientists or are using that science for their own goals, primarily in the space race. Everyday items and people are projected upwards - many in the form of rockets - followed by iconic structures, such as the Empire State Building, the US Capitol, the Washington Monument, the Eiffel Tower and the Kremlin, being rocketed skyward as visual representations of that race into space.
The life of a young girl who plays with little animals and insects is suddenly changed with the arrival of a film crew and a strange man.
Documentary about the murderer José Luis Cerveto.
Region of Castilla La Vieja, Spain, early 20th century. In Luján, a village ravaged by drought, Juan, a humble farmer who survives with his wife and son, confronts a local loan shark and is imprisoned as a result.
Lorenzo is a young man who has just returned to Salamanca (Spain) from England, where he fell in love with Berta, a girl daughter of exiled parents who have never seen Spain. Lorenzo tries through some beautiful letters that she understands how is the world where her parents once lived.
Offbeat animation.
This documentary, filmed clandestinely, is based on several interviews with the executioners who worked in Spain during the early 1970s, as well as families of people executed by them.
Things spin: amusement park rides, a phonograph record. A man wakes, shaves, and takes a phone call. Another man, in a kimono, walks in the woods, stops, and opens a small decorative box on the forest floor. People at an amusement park called Little Harlem enjoy themselves. A man walks through another amusement park, called Cavalcade Worlds, as midway rides spin. At a house, an older woman cleans; a pre-teen girl sets the table; a teenaged boy showers. After he dresses, he holds a candle high above his head and walks swiftly toward a young man standing bare-chested, his arms extended. A man arrives home where the girl has set the table. The youth sleeps. Christmas?
Accompanied only by music the film alternates between shots of pilgrims near the tomb of Saint Sergei in Sergiyev Posad, Russia and pilgrims at the Basilica of Guadalupe in Mexico.
Bruce Baillie's Mr. Hayashi might be thought of as a putative East Coast story transformed by a West Coast sensibility. The narrative, slight as it is, mounts a social critique of sorts, involving the difficulty the title character, a Japanese gardener, has finding work that pays adequately. But the beauty of Baillie's black-and-white photography, the misty lusciousness of the landscapes he chooses to photograph, and the powerful silence of Mr. Hayashi's figure within them make the viewer forget all about economics and ethnicity. The shots remind us of Sung scrolls of fields and mountain peaks, where the human figure is dwarfed in the middle distance. Rather than a study of unemployment, the film becomes a study of nested layers of stillness and serenity.
Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.
Manuel Jacques Perrin is a young man from the country who tries to make it in Madrid in this somber melodrama. He struggles to survive in the unforgiving city where only the strongest will prosper. Manuel defends himself and kills a murderous thief in a fight then quietly waits for the police to reach the scene of the crime.
In eight minutes, animator Bill Plympton gives us 24 vignettes: seven are clearly about sex, 10 about violence, and seven others deal with human frailties, particularly the body as it ages. There are three stories of persons with confused priorities (including a guy tying his shoe while parachuting); the world's first phone sex; and a clever, if dangerous, way to find a lost key. Except for the titles of each sketch and a couple of jokes that turn on noise, these are visual trips into the psyche of men, women, God, animals, and Time (the enemy of us all).