Orphaned child Samar works at a restaurant named after his widower boss, Jason-- his new paternal figure who mentors his part-time secret vigilante life as Zeitgeist, an anonymous therapist for the people of Maddenville.
After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.
In the last 250 years, free-market ideology has played a central role in the development of the logic and rhetoric that have influenced the daily life of populations throughout the world. It was cornered for a few decades during the twentieth century in favor of a social economy for the public interest, and then returned to the limelight in the last thirty years of the century to dominate the logics that drive world economies, doing the favor of the elites at the expense of 99%. Through the testimony of six people informed about the facts, Laissez-faire offers a historical and ideological perspective through which to identify the fundamental problems of the economic mechanism on which societies are based.
