Mournful Unconcern (1987)
ジャンル : ドラマ
上映時間 : 1時間 50分
演出 : Aleksandr Sokurov
シノプシス
The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.
＜モンマルトル編＞駐車できる場所を探し求めてモンマルトルの坂道を走り回った末、ようやく見つけたスペースにマイカーを滑り込ませた男性主人公は、すぐ近くで女性が行き倒れとなっているのと遭遇する。＜セーヌ河岸編＞2人の悪友とともにセーヌ河岸に陣取って、道行く女性たちの品定めをしていたフランソワ。偶然目の前で転んだアラブ系の若い女性を助け起こした彼は、彼女の美しさにたちまち魅せられる。その他、計18話。
A disgraced basketball coach is given the chance to coach Los Amigos, a team of players who are intellectually disabled, and soon realizes they just might have what it takes to make it to the national championships.
Storyteller and Conceptual Magician Derek DelGaudio attempts to understand the illusory nature of identity and answer the deceptively simple question 'Who am I?'
Since her parents passed away, Princess Mona lives by herself in a castle with two hideous, ghastly characters, Goomi and His Lordship. One day her sobs draw the attention of a unicorn, called U, who wants to comfort and protect Mona for as long as she needs. U becomes Mona's companion, her confidant and her inseparable friend. While Mona grows into a beautiful princess, a group of charming, peaceful and fanciful Yeah-Yeah’s settles in the neighboring forest. They have no particular special powers, yet they soon bring about major changes in everyone's lives, especially in Kulka, the dreamy musician.
Bird droppings on a work shirt lead to extreme unintended consequences.
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戦後の混乱期、酒飲みで多額の借金をし浮気を繰り返す小説家。大谷の妻・佐知は、夫が踏み倒した酒代を肩代わりするため飲み屋で働くことに。生き生きと働く佐知の明るさが評判となって店は繁盛し、やがて彼女に好意を寄せる男も現れ佐知の心は揺れる。そんな中、大谷は親しくしていたバーの女と姿を消してしまい…。
The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.
In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.
Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.
An empathetic stripper plays therapist to the many damaged clientele and co-workers who frequent the popular Anywhere Bar.
A film about non-territorial office space, multi-mobile knowledge workers, Blackberries and Miles&More. A road movie discovering the working world of tomorrow. This documentary will take you on a journey through the post-industrial knowledge and services workshops, our supposed future working place. In this new world work will be handled more liberally. Time clocks cease to exist. Attention is not compulsory any more. The resource “human“ comes into focus. The film closely follows the high-tech work force – people who are highly mobile and passionate to make their work their purpose in life. Further episodes resume this topic and lead into the world of modern office architecture and into the world of Human Resource Management.
Two lives look for meaning into a time that was lived, dreamed, and above all, felt.
Yamashita Takako works in the food section of a department store. She pays frequent visits to a reputable local Chinese restaurant about opening an in-store branch. The owner of the restaurant, Wang Qingkuo from Shanghai, who does all the cooking by himself, gives Takako the brush-off. One day, however, Wang collapses due to overwork, and is left with partial paralysis. Hearing the rumor of the restaurant’s closure, Takako resigns from the department store and becomes an apprentice to Wang.
Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.
A sweeping small town romance exploring the grit of craft, the heart of family, and the pains of love, told over the span of several years.
At a big party, Roger Fallon, now a woman-hater, right to the core - this all due to a failed marriage and disastrous love affairs - talks to Herbert Drake. Herbert who is happily married, bets Fallon that the next woman who walks into the room, whoever she is, won't let Fallon kiss her for 48 hours. Fallon takes the bet. Suddenly, a very beautiful and sexy woman walks in. It's Herbert's wife, Jeanne Drake...
Standing still in front of the open window, a woman stares at the dark clouds that obscure the sky. Immobile, she fights against the remembrances of the past. In the clouds, a passionate embrace appears.
The friendship between a widower and a married woman is misunderstood.
