Hollywood on Parade No. A-6 (1933)

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演出 : Louis Lewyn

シノプシス

A promotional film featuring movie stars at play.

出演

Richard Arlen
Richard Arlen
Self
Frances Dee
Frances Dee
Self
Lew Cody
Lew Cody
Self
Buster Keaton
Buster Keaton
Self
Heinie Conklin
Heinie Conklin
Self (uncredited)
Tallulah Bankhead
Tallulah Bankhead
Self (uncredited)

製作陣

Louis Lewyn
Louis Lewyn
Director

似たような映画

ラ・シオタ駅への列車の到着
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Antoine and Colette
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
工場の出口
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
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大列車強盗
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I Wanna Be a Sailor
Momma parrot is teaching her young-uns to say "Polly want a cracker" but little Peter doesn't want a cracker, he wants to be a sailor like dad. Mom tells him what a no-account his dad really was, setting sail for Hawaii ("no, Maw, it was Catalina") right after the kids were born. Peter is unswayed, and takes off. He turns a barrel into a boat, and crews it with an annoyingly talkative duckling, then sets sail on a lake. They get caught in a thunderstorm (the duck loves it). Peter calls for help and momma comes running, but the duck has already saved him. But he still wants to be a sailor.
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Things spin: amusement park rides, a phonograph record. A man wakes, shaves, and takes a phone call. Another man, in a kimono, walks in the woods, stops, and opens a small decorative box on the forest floor. People at an amusement park called Little Harlem enjoy themselves. A man walks through another amusement park, called Cavalcade Worlds, as midway rides spin. At a house, an older woman cleans; a pre-teen girl sets the table; a teenaged boy showers. After he dresses, he holds a candle high above his head and walks swiftly toward a young man standing bare-chested, his arms extended. A man arrives home where the girl has set the table. The youth sleeps. Christmas?
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