Magellan: At the Gates of Death, Part I: The Red Gate I, 0 (1976)

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary activities.

The US President and the UK Prime Minister are planning on launching a war in the Middle East, but—behind the scenes—government officials and advisers are either promoting the war or are trying to prevent it.

Rahmat travels to a host of islands in a vast salt pan in order to collect the inhabitant's tears for an unknown purpose. He is joined on his mysterious journey by a young boy searching for his father. As their travel nears its end, a potent critique of the Iran's political leadership emerges.

For Hussein, a pizza delivery driver, the imbalance of the social system is thrown in his face wherever he turns. One day when his friend, Ali, shows him the contents of a lost purse, Hussein discovers a receipt of payment and cannot believe the large sum of money someone spent to purchase an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. His job allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in, for a closer look at what goes on behind closed doors. But one night, Hussein tastes the luxurious life, before his deep feelings of humiliation push him over the edge.

大量虐殺による恐怖ですべてを支配してきた独裁者、スターリンが1953年に死去。そこから始まる後釜を狙いの熾烈な権力バトルを描く。スティーヴ・ブシェミほか個性派俳優陣共演によるブラック・コメディ。

The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was.

Agnes, a lonely teenage girl, and her father befriend an escaped convict, named Joseph, who arrives at their farm in Brittany, France. When Joseph develops an attraction to Agnes, her father threatens to break up the union.

Jerusalem, Israel. Professors Eliezer and Uriel Shkolnik, father and son, have dedicated their lives to the study of the Jewish scriptures. Eliezer is a stubborn and methodical scholar who has never been recognized for his work; Uriel is a rising star, someone admired and praised by his colleagues. The fragile balance that has kept their personal relationship almost intact is broken in an unexpected way by a simple phone call.

Wojnar is a wealthy man who is marrying off his beautiful daughter Kasia, in a small town in present day Poland. Wojnar had to bribe the groom with a fancy car, since Kasia was pregnant by another man. At the end of the ceremony, the car is delivered by a gangster, who immediately demands the promised money and the deed to land from Kasia's grandfather. Unfortunately grandpa is unwilling to let go of the land. Meanwhile each of the workers at the reception demand to be paid, so Wojnar, who is very reluctant to part with his money, tries to haggle and bribe his way out of all the situations.

Mr. Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead and espouses the view that cremation relieves earthly suffering and sets out to save the world. There may be another idealogy that fits snugly with his existing worldview.

フランス人フォトグラファー、マリオンと、アメリカ人インテリアデザイナー、ジャックは、付き合って2年になるニューヨーク在住のカップル。イマイチ盛り上がりに欠けたベネチアでのバカンスの後、立ち寄ったのは、彼女の生まれ故郷である、恋人たちの都・パリ。この町で過ごす2日間に期待をかけるふたりだが、雲行きは怪しい…。 　マリオンの両親に会ったジャックは、そのあまりの自由奔放っぷりに圧倒され、カルチャーショックを受ける。さらに街に出れば、次々とマリオンの元カレに遭遇。別れた後は二度と元カノに会わないタイプのジャックは、元カレと親しげに振る舞うマリオンの姿に、戸惑いを隠せない。嫉妬心と猜疑心にさいなまれた彼のイライラは募るばかりで、ふたりの関係もギクシャクし始めてしまう。果たして、ふたりは関係を修復することができるのか？それともこのまま別れてしまうのか？

A documentary covering the 1998 Olympic Games in Nagano, filmed for IMAX presentations.

A fantasy biography of Franz Kafka, bringing to life the writer's diaries and photographs.

Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after several days without seeing her again, he becomes involved with the girl in the local bakery. Eventually, he has to choose between them when he arranges dates with them on the same day.

Cut-outs of war machines and the figure of Napoleon – contributors to an anti-war theme – encounter abstract shapes, line drawings, old-master landscapes, short bursts of ‘real-time’ landscapes and shakily photographed gestural watercolors. … ‘a synthesis of all previous techniques.’

Benjamin is at war: with life, with adults, with himself. From his earliest childhood onwards, the 13-year old has been shunted from one care home to another. When his mother has to go to prison, he is sent to his father, whom he has never known. The man turns out to be a dead loss, a warehouseman who's given up on life, a man in his mid-40s who still lives with his Moroccan parents in a high-rise block in the banlieue. Benjamin's turbulence and violence soon prove too much for his new family.

Poetic Justice presents the viewer with an ordinary domestic scene: a stack of papers, a cup of coffee, and a potted cactus on a table. The sheets of paper compose a script that provides handwritten, frame-by-frame instructions for a film that unfolds only in the mind of the viewer.

In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis.

Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.

A camera records the last moments in the life of a seagull on a polluted beach.