The Ceremony (1963)

00メンバーらによるジブラルタルでのNATOの演習訓練中、「スパイに死を」との標札とともに、004が殺害された。訓練に参加していた007ことボンドは暗殺者を追跡。死闘の末に暗殺者を倒す。 その後、ボンドはソ連が支配する東側のチェコスロバキアにいた。ソ連の重要人物コスコフ将軍から、ボンドを名指ししての亡命の協力依頼が英国情報部に入りその任務のために現地へ潜入していた。先に潜入していた同僚のソーンダースとともに、クラシック演奏会場から脱出したコスコフを援護する。

デトロイト郊外の寂れたアパートでひっそりと暮らすアダム。アングラシーンでカリスマ的人気を博す孤高の音楽家というのは、世を忍ぶ仮の姿で、彼の実の正体は吸血鬼だった。そんな彼のもとへモロッコからイヴが訪ねてくる。2人は何世紀にもわたって愛し合う吸血鬼の恋人同士で、久々の再会を果たしたアダムとイヴは親密な時を過ごす。ところがそこへさらにイヴの妹のエヴァがやって来たことから、予期せぬトラブルが生じて…。

Richard, a lonely and well-meaning prison officer, is put in charge of reading and censoring the letters received by inmates.

A burlesque comic doubles for a spy in Tangier and meets the spy's girlfriend, who is also a spy.

When a vacationing couple in Tangiers run into an old friend there, they discover that he is searching for his missing girlfriend who has been kidnapped by an international gang of white slavers. Nader investigates but before he can come up with anything, his friend is murdered. Meanwhile, nightclub magician Price and his mentalist partner continue their nefarious activities--they hypnotize and kidnap young women for the white slavers, and spirit them to the "House of 1000 Dolls." Written by phillindholm

A man has an affair with his condemned brother's girlfriend while plotting his escape in Tangier.

In Tangiers where he traveled for his work, a man finds the woman he loved, and attempts to revive their romance though it ended some 30 years earlier.

In August 1996, bus drivers Marcel Van Loock and Wim Moreels are apprehended by the Moroccan Customs for drug trafficking. Inside their bus, hidden behind a false compartment, they have discovered 700 pounds of hashish. Although the owner of the bus company is arrested as well and makes a full confession clearly indicating that both drivers were unaware of the hidden drugs, the Moroccan judge sentences both men to 5 years in the Moroccan prison of Tangiers. Nothing could have prepared the two men for life inside a Moroccan prison. Without food, clothes or medical care, they must learn how to take care of themselves to survive their stay in prison. Corrupt guards, corrupt lawyers and judges, a consul who doesn't care and frequent beatings are only part of the terrible prison. Meanwhile their families at home are left without any information, any help or any hope - finding out that their own government doesn't care for Belgian people in prisons abroad.

Kamel Raoui, a young police inspector in Tanger, investigates the murder of drug-dealer Hakim Tahiri. The victim's mistress Touria, just living for her fatally-ill younger brother Pipo, is considered the main suspect, so Kamel learns more and more about their hard life circumstances. During the observation, the sexually-confused Kamel falls in love with the young woman, but realizes the imminence for Touria and Pipo too late.

At the Tangier airport, a group of people await the arrival of a mysterious plane from behind the Iron Curtain. The reception committee includes Susan, an American; Gil Walker, a free-booting pilot; Danzer, a black market operator; and Danzer's girlfriend, Nicki. The plane crashes and burns. No survivors are found, nor are any corpses. Soon the search begins for a missing courier worth $3 million.

Tangier. Dounia decides to sell on the black market the antiques uncovered on the building site she manages. She hopes to raise enough money to be able to leave Morocco with her son, who she hardly ever sees since her divorce. The death of a worker disrupts her plan...

Maria Montez plays a Spanish dancer named Rita, who is determined to bring Nazi collaborator Colonel Jose Artiego (Preston Foster) to justice. Artiego is at presently working incognito, as military governor of the North African city of Tangier. Maria finds an unexpected ally in the form of Artiego's discarded mistress Dolores (Louise Allbritton).

The Army takes a bandleader (Kay Kyser) away from his bride (Ellen Drew) and sends him on a spy mission with a woman (Jane Wyman).

A condemned inmate's premature death places officials under suspicion.

Set in the mid-1950s when Tangier was still an international zone, El Chergui presents the city on the eve of its independence, as Aïcha resorts to magical practices to try to prevent her husband from taking a second wife. Around her, a society of women creates its own form of active resistance even as the larger independence movement grows around it. Through his unique use of montage, Smihi creates arresting images that present a society torn by the contradictions of colonialism, religion, patriarchy, and resistance. (Block Cinema)

A man condemned to die is allowed a prostitute for his last night alive, but the two of them have dark secrets to share.

Finding herself accused of a murder she didn't commit, Alice Carroll flees to Tangier, Morocco. District Attorney Henry Holcombe, meanwhile, has discovered that she is actually innocent and sets out to search for her. He finds her in Tanger, but she is under the influence of the shady Wilhelm von Linke, who owns a seedy gambling den. Complications ensue.

A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.

Set between a numbing, malodorous factory and the demi-monde of nocturnal Tangier, two street-smart young women work tirelessly to move on with their lives. By day the fast-talking, live-wire Badia and her quiet friend Imane peel shrimp in a factory; by night, they hit the seaside hotels, turn tricks and steal small objects from their clients to pawn. One night they meet two pretty girls their own age who work in the Free Zone of Tangier, a heavily guarded, European-style industrial area. The determined Badia hates peeling shrimps and sees the two new girlfriends, who are slightly better off, as a springboard.

A collaboration between Jem Cohen with writer Luc Sante made in Tangier, Morocco, a city where neither of us had ever been. En route from the airport to the city center, we found ourselves amazed by the landscape outside of the car windows; a massive construction project under way in all directions. While not in itself unusual, we were by struck dumb by the epic scale and seemingly incomprehensible plan of the development and were drawn to return together to this puzzling zone. This project was commissioned by TAMAAS, a small foundation based in Paris, as part of their Tangier project, The 8.