赤軍-PLFP 世界戦争宣言 (1971)
ジャンル : ドキュメンタリー
上映時間 : 1時間 9分
演出 : Masao Adachi, Kōji Wakamatsu
シノプシス
Adachi and Wakamatsu went to Beirut on the way back from the Cannes Film Festival. There, in collaboration with the Red Army members and PFLP, they produced this newsreel film depicting the everyday activities of Arab guerrillas as a cinematic narrative on the world revolution.
イスラエル人監督、アリ・フォルマンが自らの戦争体験を描き、2009年のアカデミー賞で外国語映画賞に選出されたドキュメンタリーアニメ。アリは旧友と再会を果たすが、会話の途中でふと自分の記憶が一時期だけ抜け落ちていることに気付き…。
ポーランドのダンチッヒを舞台に、3歳で自らの成長を止めた少年オスカルの視点で、1927年から1945年の激動の時代を描いた異色の大力作。ブリキの太鼓を叩き、奇声を発しガラスを割るという不思議な力も身につけたオスカル、従兄との不倫を続ける母、臆病者の父、画面は時代が産んだ奇異なキャラクターとグロテスクな描写に溢れ、その毒気たるや凄まじいばかりのものである。
ソ連崩壊前、ソ連の化学兵器工場に006ことアレックと共に侵入したボンドだったが、責任者のウルモフ大佐によりアレックが拘束されてしまう。ボンドはやむなく彼を見捨て秘密工場を爆破し、任務を達成した。 それから9年後。20世紀も終わりに近く、ソ連は既に崩壊していた。ボンドはモナコでロシアの犯罪組織「ヤヌス」のメンバーであるゼニアをマークしていたが、彼女と将軍になっていたウルモフは、対電磁波装甲を施したNATOの最新鋭戦闘ヘリコプター・タイガーを、デモンストレーションを行っていたフリゲート艦上から奪取・逃走する。 その後ゼニアとウルモフは、ロシアの秘密宇宙基地に現れ、ソ連時代の秘密兵器「ゴールデンアイ」を起動させ、兵士と職員を皆殺しにする。女性コンピューター技術士のナターリアは、奇跡的に生き残り脱出した。 ボンドは「ゴールデンアイ」とヤヌスの関係の手掛かりを求めてサンクトペテルブルクへ行き、そこで9年前殺されたはずのアレックと再会して、意外な真実を知る。
アメリカ コロラド州の平和な田舎町。昼下がりに異様な数の兵士がパラシュートで次々と降下してくる。ソビエトの兵装の兵士達は次々と降下し銃撃を開始した。武器を持たぬ市民は虐殺されていくが高校生ジェドはその仲間達は間一髪山中へ逃げ込み少ない武器を手に取り反撃を開始する。
Two childhood friends are recruited for a suicide bombing in Tel Aviv.
タイベリアス皇帝治下のローマ。キリストを処刑したローマの護民官マーセラスは、その後良心の呵責から恐怖に脅え、深い苦しみに溺れる。が、かつて奴隷として使いキリスト処刑後、姿を消したギリシア人デメテリオの導きにより神の心に触れ、宣教を志すようになる。
Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.
Palestine, 1948. After the withdrawal of the British occupiers, tensions rise between Arabs and Jews. Meanwhile, Farha, the smart daughter of the mayor of a small village, unaware of the coming tragedy, dreams of going to study in the big city.
Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?
The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "convinces" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town...
Poland's winning battle against Soviet Russia as seen through the eyes of two young protagonists, Ola and Jan. She is a Warsaw cabaret dancer, while he is a cavalry officer and poet who believes in socialist ideals
A Canadian doctor finds her sympathies sorely tested while working in the conflict ravaged Palestinian territories.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
Mustafa and his wife Salwa come from two Palestinian villages that are only 200 meters apart, but separated by the wall. Their unusual living situation is starting to affect their otherwise happy marriage, but the couple does what they can to make it work. Every night, Mustafa flashes a light from his balcony to wish his children on the other side a goodnight, and they signal him back. One day Mustafa gets a call that every parent dreads: his son has been in an accident. He rushes to the checkpoint where he must agonisingly wait in line only to find out there is a problem with his fingerprints and is denied entry. Desperate, Mustafa resorts to hiring a smuggler to bring him across. His once 200-meter journey becomes a 200-kilometer odyssey joined by other travellers determined to cross.
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
On his wedding anniversary, Yusef and his young daughter set out in the West Bank to buy his wife a gift. Between soldiers, segregated roads and checkpoints, how easy would it be to go shopping?
Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, Ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.
Russian front, winter 1943. Soldier Arturo Andrade and Sergeant Fernando Espinosa are commissioned to investigate a mysterious murder while the Spanish Blue Division of the German Army endures the fierce counterattack of the Red Army.
A free spirited woman dancer, Kamar, finds herself the lonely wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying societys taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.