Bells of Atlantis (1952)

It's 2006, YouTube is in its infancy, and internet porn is still behind a paywall. Taking the stage name Brent Corrigan, a fresh-faced, wannabe adult video performer is molded into a star by Stephen, a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent's rise and demands for more money put him at odds with his boss, he also attracts the attention of a rival producer and his unstable lover who will stop at nothing to squash Cobra Video and steal its number one star.

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.

アナの誕生日の朝。エルサはこの日を完璧な一日にすべく、クリストフたちとともにとびきりのサプライズを準備していた。城中に張りめぐらされた赤い糸をたどっていくと、あちこちにアナへのプレゼントが隠されているという仕掛けだ。誕生日の特別なドレスに身を包み、エルサとアナは糸をたどり始める。だがエルサはどうやら風邪をひいたらしく、くしゃみが止まらない。心配するアナをよそに、ひとり張り切るエルサだった。

The story of Nathan, a young teenager who tries to flourish in a romantic relationship with neighbour Roy. The two young men will have to face the brutal reality of the rural south of the United States in the late 1970s.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

A 17-year old Missouri teen discovers she has gotten pregnant, a development that threatens to end her dreams of matriculating at an Ivy League college, and the career that could follow.

世の中は極端に不景気。小男で風彩もあがらず、服装もみすぼらしく、職もなく住むところもないチャーリーは、職にありつけそうもなく、毎日あちこちさすらい歩いてフーテン暮らしをしていた。そんな彼が一人の娘に恋をした。街角で花を売っている、盲目の貧しい娘だ。彼は彼女の目を治す為に、金を稼ごうと一大決心をするが……。

In 1920s Chicago, Italian immigrant and notorious thug, Antonio "Tony" Camonte, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.

スティーヴン・チョボスキーによるベストセラー小説を、ローガン・ラーマン主演で映像化した青春映画。陽気でまばゆい兄妹と出会い、初めての友情と恋を知った高校生に降りかかる悲喜劇をセンチメンタルに描く。

砂漠の都アグラバー。貧しい若者アラジンは、泥棒と間違われていた娘ジャスミンを助け出し、代わりに捕まってしまう。なんとジャスミンは、王宮から抜け出してきた姫君だった。投獄されたアラジンは、王国乗っ取りを狙う大臣ジャファーの策略で、自由と引き換えに魔法のランプを探す旅に出発することになった。洞窟の奥でランプを発見したアラジンが偶然ランプをこすったところ、なんと中からランプの精ジーニーが現われた。

In a small town on Christmas Eve, a snowstorm brings together a group of young people. They soon find their friendships and love lives colliding, and come Christmas morning, nothing will be the same.

シングルとアルバムの総売上は全世界で３億枚を越える伝説的ミュージシャン、シンガーソングライター“エルトン・ジョン”の半生を描いた話題のミュージカル超大作。

Forced to give up his dreams of art school, Zach works dead-end jobs to support his sister and her son. Questioning his life, he paints, surfs and hangs out with his best friend, Gabe. When Gabe's older brother returns home for the summer, Zach suddenly finds himself drawn into a relationship he didn't expect.

エルサとアナの仲良し姉妹は、幼いころに起きた事件以来、ずっとはなればなれでした。今日は、そんな二人が久しぶりに一緒に迎えたクリスマス。ところが、アレンデール中どの家にもあるクリスマスのならわしが、長い間はなれて育った姉妹には、何もなかったのです。さびしそうな二人のために立ち上がったのはオラフでした。

ロンドン市内で警官ばかりを狙う連続殺人事件が発生。正義感が強いあまり、犯罪者に対し手荒な制裁も辞さない熱血刑事ブラント（ジェイソン・ステイサム）を追う新聞記者はある情報を入手するが、その情報提供者ワイス（アイダン・ギレン）こそが殺人鬼、通称ブリッツであることを知る。ブラントの師や同僚たちを次々と手に掛けたワイスの最終的な標的は、ブラントだった……。

科学の飛躍的な発展の結果、労働者たちは地下に押しやられ、巨大な工場で家畜同然に管理されている一方、資本家たちは地上で享楽的生活を送っている。社長の息子は地下に降りて、彼らの悲惨な生活を知る。労働者の娘マリアは、労使間に人間的な絆が皆無であることを仲間に訴え、これがストライキの気運を生む。そこで社長はマリアを監禁、彼女そっくりの人造人間を作って事態収拾にあたるが、人造人間は狂い始める。

1952年の歳末、NYの高級百貨店でアルバイトをするテレーズは、クリスマスプレゼントを探しに店を訪れた優雅で上品な人妻キャロルと出会い、彼女に魅せられる。店に置き忘れた手袋をキャロルに送り届けたことから、彼女の知己を得たテレーズは、キャロルが夫ハージとの愛のない結婚生活に疲れ果て、いまや離婚協議中であること、そして娘の親権を彼に奪われそうになって苦しんでいることを知る。2人の距離は次第に縮まる。

高校生のサイモン(ニック・ロビンソン)は、ゲイであることをカミングアウトするか迷っていた。ある日サイモンは、ブルーと名乗る匿名のゲイが学校にいることを知る。ブルーとメールで連絡を取り合うようになったサイモンだったが、そのメール履歴を見た同級生にサイモンの女友達との恋の橋渡しをしろと脅されてしまう。

15歳の少年ジムは惑星モントレッサで母と2人暮らし。彼の父は、ジムがまだ幼い頃に家族を捨てて宇宙へと旅立ってしまった。ジムはその影響からか、トラブルばかり起こして母を困らせている。そんなある日、彼の家の近くに宇宙船が不時着。ジムは船内にいた瀕死の男を救出する。この時、男からある箱を渡されたジムは、男を追ってきた海賊の追跡を逃れ、宇宙物理学者ドップラー博士のもとへ辿り着く。そしてその箱を調べてみると、莫大な財宝が眠るという伝説の“トレジャー・プラネット”への地図が入っていた。

突然逃げ出した羊達。ヒック達は何とか捕まえようとするうちに...。ヒックとドラゴンの人気競技、ドラゴン・レース誕生にまつわるストーリー。

“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. Man — entirely absent — is no longer the center of the universe; the canyon exists outside of him. Despite the invisible photographer and his technologically-caused dissolves, this is a creditable approximation of the true foreign-ness of nature.” — Amos Vogel, Film as a Subversive Art (1974)

The 1984 short Barres celebrates the ingenious ways one can get onto the Paris Metro without paying.

The camera pans across a field of flowers at extreme speeds in this short film by Hollis Frampton.

A series of ghost-like vehicles drive by in this short film by Hollis Frampton.

A butchered cow is decapitated in this short film by Hollis Frampton.

The quick tempo of life in polluted cities makes patients out of people. Neurosis is an everyday occurrence.

The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured images, changing colors, and pulsing rhythms. Near the end, a tree appears briefly, and birds fly - first white, then red and blue. Celtic knots morph from one to another. The images become Rorschach tests although the mood, driven by the rapid changing images and the soundtrack, remains frantic.

In a joyous tour de force, the world's greatest paintings -- all schools, all periods -- flash by at the rate of eight per second; yet we are able to recognize and retain most.

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.

A soundless mix of story fragments and images. Initially, images of death, a man with a guitar, a soirée. Some images are surreal: an older woman eats a leaf; a headless man pours a cocktail into his body.

The Youth International Party, whose members were commonly called Yippies, was a radically youth-oriented and countercultural revolutionary group opposed to war and the status quo of American culture. Known for using theatrics and humor to advocate social change, several Yippies were notably on trial as the Chicago 7. Primarily consisting of footage from the 1968 Democratic National Convention in Chicago which sparked massive demonstrations that were met by violence and hysteria caused by the police. This film also includes found newsreel footage as well as Pigasus - the pig the Yippies advanced as a candidate for President of the United States.

A short, diaristic film; A series of impressions, animations and playful vignettes in color and B&W. Early/ Outtake footage of Menken's Lights can be seen here, as well as camera techniques she'd expand upon in later films.

Dziga Vertov-directed Soviet newsreel covering: Trial of the Socialist Revolutionaries / Demonstrators carrying banners.

Sexologists, psychologists, and proponents of sexual freedom, the Kronhausens here attempt to induce erotic response in the audience by carefully chosen visual stimuli and juxtapositions (aimed at both conscious and unconscious). Phallic symbols and open orifices, a tongue licking an orange, an unexpected finger entering the frame: almost any object or act, no matter how innocuous, the Kronhausens show, can be made to appear erotic, and reveals our predisposition towards ‘shaping’ visual evidence for purposes of erotic gratification.

Conceivably the best of all of Breer’s films to date – has more to do with figuration, according to Breer’s formulation regarding titles with letters or numbers. This becomes clear right away as the title letters are intercut with a flurry of fish swimming past the frame lines, which are made all the more literal through the associative chain established by a snippet of Schubert’s Trout Quintet heard on the soundtrack, along with footsteps – which continue over a profusion of other shapes, colors, and objects, including the title letters again. -- Jonathan Rosenbaum

With a similar dreamy mood like its predecessor "Take the 5:10 to Dreamland" (1976) this clip starts with a boy getting into his bed. The camera zooms in into the boy's mind and a slow, sad waltz (i.e."Valse Triste") accompanies images of a locomotive, a miner, the globe, the sky, a sheep heard, etc. Disparate elements, but if one concentrates only at the movement of the figures, one can perceive a commotion, slowly livening up: The starting wheels of the heavy locomotive, the tired miner pushing the heavy cart of coal bricks, the globe smoothly turning around and around, the clouds imperceptibly floating in the sky, the sheep idly moving in the herd, etc. We reach the first climax when a mannequin opens her coat like a flower. The second big crescendo spurts out from a "water hose", after watching schoolgirls doing gymnastics for quite a while. A sad, but nostalgic aftertaste lingers in the end when funeral cars drive away through a flooded area…

One of the few Brakhage films featuring spoken dialogue and a central character, this sly and bitter polemic pits an actor (poet? director?) against an unseen audience.

A short surreal animation created with fashion magazine clippings and sound collages.

Totems of destruction and desire. An operation on the combustible urges in a junk black mass. A swiftly-sliced nightmare of history and erotic autobiography.

Early Balkan footage.