Cristo Rey (2014)

An 18-year-old high school girl is left at home by her parents and decides to have a slumber party. Meanwhile, a mass murderer with a propensity for power tools has escaped from prison, and eventually makes his way to the party where the guests begin dropping off one by one.

A vampire follows his instincts to a strip joint where he focuses in on one of the performers. He picks her for his meal because she is contemplating suicide, but he wants to share her life before taking it, and during the course of the evening they discuss their differences, their fears, and their lifestyles. As the moment of truth approaches, the woman becomes less sure that she wants to die.

Nina Frisk is a flight attendant who loves flying. She is happy above the clouds, far away from her dysfunctional family and superficial love life. But then one day Nina meets Marcus and his son William, and falls helplessly in love. For the first time ever in her life, Nina begins to long for a family of her own. But Nina soon discovers that life on earth can be just as turbulent as in the sky.

南カリフォルニアの反抗的なティーンエイジャー、ジョーン・ジェットとシェリー・カリーは、後世の女性ロッカーに道を開いた、今や伝説的なグループであるランナウェイズのフロントウーマンとなった。興行主キム・ファウリーのスヴェンガリ的な影響を受け、バンドは大成功を収めます。

ロッタちゃんは5歳、ニイマン家の次女。ある朝、おかあさんが出してくれたセーターがチクチクするといってハサミで切り刻んでしまった彼女は、なんだか気まずくなってお隣のベルイおばさんの家へ家出してしまう。おばさんの家の2階を借りて自分の部屋を作り、一人暮らしを宣言。だけどそんな彼女も夜になるとやっぱり心細い。お化けが出そうで泣き出しそうになったとき、ようやくパパが迎えに来る。

ロッタはスウェーデンのヴィンメルビューで両親と兄、姉と暮らす女児である。自転車に乗ってどこにでも出かけていく兄や姉の姿に羨望の念を抱いたロッタは、自分の自転車がないことが問題だと主張するが、周囲は取り合わない。ロッタが大きな期待を抱いていた5歳の誕生日にも、自転車が与えられることはなかった。こうした閉塞状況を打開するため、ロッタは隣家の老婆ベルイさん所有の自転車を無断で使用することを企む。

After a frantic suicide attempt, Veronika awakens inside a mysterious mental asylum. Under the supervision of an unorthodox psychiatrist who specializes in controversial treatment, Veronika learns that she has only weeks to live.

モスクワ大学の人類学者セルゲイは、モスクワの地下に張り巡らされたトンネルに悪魔が潜んでいるという都市伝説の真相を解き明かすべく調査に乗り出すが、地下に潜ったまま行方不明になってしまう。セルゲイの友人オーウェンは、彼を探すため地下トンネルの奥深くへと足を踏み入れるが。

A guitar playing car thief meets an autistic savant piano player, and together they transform a group of reluctant halfway house convicts into The Killer Diller Blues Band.

It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.

A young working class Baltimore man spends 10 years on a single portrait, believing it is his means to fame and fortune. But he also believes that only one man can lead him there---the famous artist David Hockney. What happens when you finally meet the god of your own making?

Dumped on her grandparents for the summer by her indifferent mother, acerbic and self-destructive teenager Greta disrupts the elderly couple's staid life on the Jersey Shore. Eventually, a romance helps Greta face down her demons.

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

Isabelle's life revolves around the New York bookshop she works in and the intellectual women and men she befriends there. Her grandmother remains less than impressed and decides to hire a good old-fashioned Jewish matchmaker to help Isabelle's love-life along. Enter pickle-maker Sam who immediately takes to Isabelle. She however is irritated by the whole business, at least to start with.

Oğuz, temiz kalpli, genç, üniversite mezunu ve işsiz bir delikanlıdır. Üç yıldır birlikte olduğu Naz’a deli gibi aşıktır ve Naz’ın çapkın patronu Alper’in genç kıza olan ilgisinden rahatsız olmaktadır. Yaşanan bir kavganın ardından ani bir karar ile Naz ile evlenmeye karar verir. Ancak Naz’ın babası Cemal Bey, saplantılı bir biçimde kızını milli formayı giyen birisine vermeye and içmiştir.

1851, Manitoba's Red River Valley. As winter sets in, a young woman on the edge of madness arrives exhausted at the fort, a wilderness station, claiming she murdered her husband. She's placed in a cell; for the next several months, she sews while the local prefect, Henry Mullen, investigates.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Little Tsatsiki, son of a single mother in Sweden, has never met his father, a Greek fisherman. Tsatsiki befriends a nice but straight-laced motorcycle policeman renting one of their rooms and decices he is the right guy for his mother, an amateur rock singer in love with her band's bass player.

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.