1 Seconde (1991)
ジャンル : アニメーション
上映時間 : 4分
演出 : Richard Angers
シノプシス
“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ±
pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.
Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.
A successful TV star during the 1960s, former "Hogan's Heroes" actor Bob Crane projects a wholesome family-man image, but this front masks his persona as a sex addict who records and photographs his many encounters with women, often with the help of his seedy friend, John Henry Carpenter. This biographical drama reveals how Crane's double life takes its toll on him and his family, and ultimately contributes to his death.
1980年代のダブリンで育った少年は、好きな女性に好印象を与えるためにバンドを結成し、ぎくしゃくした家庭生活から抜け出します。
恋愛カウンセラーでありながら、夫ロブ(ラファエル・バーカー)とのセックスでオーガズムを味わったことがないソフィア(リー・スックイン)。ある日、彼女はカウンセリングを受けに来たカップル、ジェイムズ(ポール・ドーソン)とジェイミー(PJ・デボーイ)の紹介で、ブルックリンにあるサロン“ショートバス”に足を踏み入れる。
不可能なミッションを遂行してきた天才的スパイのイーサン・ハントは、敵の罠に落ち、前例のない衝撃的な計画に翻ろうされてしまう。イーサンは己との戦いを克服し、成功率0%の任務を成し遂げるため、ヨーロッパやアジアへと飛ぶ。そして最高機密組織I.M.F.の新たなるメンバーとともに任務を遂行する。
映画のヒットによってバーキッツヴィルはもはや観光スポットに変わっていた。ブレアの魔女を探しに全米各地ばかりか世界中から観光客が押し寄せていた。そんなブームに便乗した“ブレア・ウィッチ・ハント”ツアーの第1回目に参加したのは4人の若い男女。さっそくラスティン・バーの家の近くの廃城でキャンプを張った彼らだったが…。
25-year-old Dwayne McLaren, a former athlete turned auto mechanic, dreams of getting out of tiny Cut Bank, Montana the coldest town in America. But his effort to do so sets in motion a deadly series of events that change his life and the life of the town forever...
ニューヨーク市警察殺人課の刑事エディ・フレミングは、数々の大事件を解決し、その度にマスコミに登場し英雄扱いされる有名刑事である。ニュース番組「トップ・ストーリー」のアンカーマン、ロバート・ホーキンスも、そういう事件を報道して視聴率を稼いできたひとりである。 ある日、チェコ人とロシア人の2人組による凶悪な犯罪が起こる。エディは捜査に同行したいという若手消防署員ジョーディと共に事件を追うが、エディは2人に捕まり、殺害されてしまう。ロバートはエディの殺害シーンを撮影したビデオテープを2人から買い取り、自分の番組で放送するのだった。
The magical tale of a mouse who sets foot on a woodland adventure in search of a nut. Encountering predators who all wish to eat him - Fox, Owl and Snake - the brave mouse creates a terrifying, imaginary monster to frighten them away. But what will the mouse do when he meets this frightful monster for real?
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by
Specialists gather in a top-secret facility to investigate a series of strange deaths on beaches along the Atlantic Ocean. One of the team's scientists examines video evidence to uncover a possible parasitic explanation for the fatalities. But when a determined detective sends her the crazed writings of a mysterious homeless man, the scientist slowly learns that the actual threat may be more dangerous -- and far older -- than anyone ever imagined. Can she convince her colleagues of the true danger before an ancient force rises from the sea to bring madness and death to all of humanity?
Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
A porcelain doll’s explorations of a dreamer’s imagination.
Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".
Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.
The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.
Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.
A display at the strange and wonderful artifacts in a collection of medical curiosities.
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.