Rosas Danst Rosas (1997)
ジャンル : 音楽, ドキュメンタリー
上映時間 : 57分
演出 : Thierry De Mey, Anne Teresa De Keersmaeker
シノプシス
Thierry De Mey filmed Rosas danst Rosas in the former technical school of architect Henry Van de Velde in Leuven. The film version is much shorter than the show itself. In his film Thierry De Mey opts for a heavily ‘inter-cut’ version in which, apart from the cast of four dancers from 1995 and 1996, he also has all the other performers from the long history of the show dance along. He makes maximum use of the geometrical and spatial qualities of the Van de Veldes building. Incidentally, the building was thoroughly renovated straight after the film was made, making it one of the last testimonials to the original architecture. The film was shown on all of the major European television channels and also had a cinema career in the ‘art house circuit’.
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1977年、ベルリンを拠点とする世界的に有名な舞踊団<マルコス・ダンス・カンパニー>に入団するため、スージー・バニヨンは夢と希望を胸にボストンからやってきた。初のオーディションでカリスマ振付師マダム・ブランの目に留まり、すぐに大事な演目のセンターに抜擢される。そんな中、マダム・ブラン直々のレッスンを続ける彼女のまわりで不可解な出来事が頻発、ダンサーが次々と失踪を遂げる。一方、心理療法士クレンペラー博士は、患者であった若きダンサーの行方を捜すうち、舞踊団の闇に近づいていく。やがて、舞踊団に隠された恐ろしい秘密が明らかになり、スージーの身にも危険が及んでいた──。
BTS perform their Japan concert at Tokyo Dome and Fukuoka Yahuoku Dome during their Love Yourself World Tour.
ダンサーのオーディションを舞台上で再現させたブロードウェイのヒット・ミュージカルを完全映画化。ブロードウェイの売れっ子ディレクター・コレオグラファーのザックは、近くにオープンする新しいショーの為、男女各4人ずつのコーラスを選ぼうとオーディションを敢行した。全体で何人採るかも知らされないまま、ショー・ビジネスに夢を馳せる大勢の若者たちが集まり、その中からとりあえず17人がしぼられるが……。
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After his wife’s death, Michael loses track of what’s important. That’s why it’s strictly business between Michael and Faith, the attractive nanny he’s hired to take care of his troubled 7-year-old daughter, Lily. When Faith helps Lily deal with her mother’s death, she earns a place in Michael’s heart. But to keep Faith in their lives, Michael has to decide what’s really important to him.
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Thierry De Mey filmed Rosas danst Rosas in the former technical school of architect Henry Van de Velde in Leuven. The film version is much shorter than the show itself. In his film Thierry De Mey opts for a heavily ‘inter-cut’ version in which, apart from the cast of four dancers from 1995 and 1996, he also has all the other performers from the long history of the show dance along. He makes maximum use of the geometrical and spatial qualities of the Van de Veldes building. Incidentally, the building was thoroughly renovated straight after the film was made, making it one of the last testimonials to the original architecture. The film was shown on all of the major European television channels and also had a cinema career in the ‘art house circuit’.
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