Boy Meets Dog (1938)

Porky introduces a newsreel of wartime spot gags, including a spoof of the RKO Pictures logo, and caricatures of Jack Benny and Rochester.

This short animation set to Lenny Bruce's live monologue tells how the Lone Ranger hooks up with Tonto. With Bruce doing all the voices, this animation begins with local folks upset at the Lone Ranger because he won't stay around to be thanked after a good deed. So, he stays and finds he likes hearing "Thank you mask man." When their attention starts to shift elsewhere, he shocks and disgusts the townspeople with a final request. According to the cartoon’s producer John Magnuson, at early showings of this, gay audiences were upset by its apparent “fag-bashing”. And it’s true, part of the fun of the piece is just crying out “Masked man’s a fag”, scandalising and defacing the image of this all-American hero. But it’s within the larger context of Bruce’s analysis of heroism, and that the towns people reject the Masked Man is because of their prejudices, not because Bruce is asking us to endorse them. (from: http://ukjarry.blogspot.de/2010/01/352-lenny-bruce-thank-you-mask-man.html)

A documentary on women in St. Petersburg who enroll in a program which will help them land millionaire husbands.

In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.

The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).

Two polite twin gophers are indignant at the swiping of all their vegetables by "vandals" in trucks. They follow the trucks to a food processing plant and become caught in the machinery when they try to retrieve their property.

Centered around a vehement diatribe against pornography delivered by news reporter George Putnam, the film attempts to link explicit portrayals of human sexuality to the subversion and decline of American civilization, and briefly draws a parallel between pornography and Communist infiltration. Perversion for Profit illustrates its claims with still images taken from various softcore pornography magazines of the period-- though, 'sensitive' parts of the human anatomy have been obscured by colored bars. The film is in the public domain, and has become a popular download from the Prelinger Archives.

Pvt. Snafu thinks he's too smart to get caught by an enemy booby trap, but he soon finds that the traps are alluring and that he is every bit the booby.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.

Sylvester Cat is a lighthouse keeper's mouse-catcher assigned to keep a mouse from unplugging the light. The mouse only wants a good night's sleep and asks Hippety Hopper, the baby kangaroo who has just crashed off of a ship on the nearby rocks, to help him fight Sylvester and keep the lighthouse light turned off.

Bettie de Jong performs the same dance nine times, starting and ending in a reclined position. As the film proceeds the camera becomes more and more adventurous.

In the 1970s and 80s, hundreds of thousands of senior citizens migrated from New York City to Kings Point, a typical retirement community, located just outside West Palm Beach, Florida. Lured by blue skies, sunshine, palm trees, and the promise of a rich social life, they bought their way to paradise for just a $1,500 down payment. Now, as an aging community faces its own mortality, paradise has begun to exact a higher price. Through the experiences of six longtime residents, 'Kings Point' captures both the allure and the darker complexities of living in a world where 'nobody gets too close.' Poignant, funny and dark, 'Kings Point' is a deeply empathetic portrait of the last act of the American Dream.

After a weekend of dancing and camping on a recreation island near the city, a young factory worker decides to stay and cut work for a day. Walking around the now deserted island, he meets a beautiful woman camping alone and sunbathing in the nude on the beach. A hot romance flares up between the worker and the more upper-class married lady, lasting through the light-filled nights of the whole summer week until the woman's much older husband returns to the island the next weekend.

In this John Nesbitt's Passing Parade series short, narrator John Nesbitt tells the story of Scandinavian immigrant Annie Swenson, who worked as cook and housekeeper in his family's home while he was growing up.

From the first kiss to breakup, Almy and Hammer record their relationship on a reel-to-reel ¾” tape recorder and microphone. Winner of the Louise Riskin Prize at the 1976 San Francisco Art Festival.

Eight Rwandan children leave their families behind to embark on a life-or-death journey seeking high-risk heart surgery in Sudan. Their hearts ravaged by a treatable disease from childhood strep throat, they have only months left to live. Open Heart reveals the intertwined endeavors of Dr. Emmanuel, Rwanda's lone government cardiologist fighting to save the lives of his young patients, and Dr. Gino, the Salam Center's head surgeon, who is fighting to save his hospital, Africa's only link to life-saving free cardiac surgery for the millions who need it.

A dog named Rover explains to a black, down-on-his-luck shaggy dog named Andy how he got his master. He went into a hotel room and bothered someone taking a bath--Porky Pig. Porky doesn't want Rover as a pet, no matter how many times Rover tries to make Porky adopt him.

Reconstruction with photographies of the lost film 4 devils.

A black and white preface shows a woman in a traditional kimono climbing the stairs as WWII era Mitsubishi Zeros fly through the sky and footage of the Japanese military of the era is superimposed over the footage. She stops at the top of the stairs to say her prayers, rings a bell, and heads inside where the footage is shot in color. She unravels her kimono and rubs her face with the cloth before wrapping her blade and lovingly touching it. She pulls it across her stomach and slits herself open, falling to the mat. She crawls across the mat, dying, slipping in her own slick blood until she can't move anymore.

After the audience is instructed how to use the 3-D glasses they received, demonstrations of three-dimensional films are presented. Various objects move towards the camera, including a ladder being shoved out a window, the slide on a trombone, a woman on a swing, and a thrown baseball.