Karmen Gei (2001)

The story, set in 1885, follows a British officer (Heath Ledger) who resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers which symbolize cowardice. To redeem his honor he disguises himself as an Arab and secretly saves the lives of those who branded him a coward.

自動車修理工のスタンリー・ヒル（ジョン・トラヴォルタ）は、目の前で強盗に妻を殺害される。容疑者は逮捕されたにもかかわらず裏社会とつながる悪徳警官によって釈放され、事件は闇に葬り去られてしまう。理不尽な現実と、妻を守れなかった自分の無力さに怒りを爆発させたスタンリーは、かつて特殊部隊の工作員として極秘任務に関わった殺人スキルを解き放ち、リベンジの鬼と化していく。

愛する妻と娘を惨殺され、不在だった自分を責める敏腕弁護士。多くの言葉を操り成功してきた彼が、家族のかたきを取ろうと沈黙の誓いをたて、憎き犯人に挑む。

アメリカ西部の原野、ハンターのヒュー・グラスは狩猟の最中に熊の襲撃を受けて瀕死の重傷を負うが、同行していた仲間のジョン・フィッツジェラルドに置き去りにされてしまう。かろうじて死のふちから生還したグラスは、自分を見捨てたフィッツジェラルドにリベンジを果たすべく、大自然の猛威に立ち向かいながらおよそ300キロに及ぶ過酷な道のりを突き進んでいく。

Charly Matteï has turned his back on his life as an outlaw. For the last three years, he's led a peaceful life devoting himself to his wife and two children. Then, one winter morning, he's left for dead in the parking garage in Marseille's Old Port, with 22 bullets in his body. Against all the odds, he doesn't die...

戦後の腐敗と暴力にまみれた田舎町。愛する者を守ろうともがく青年の周りで、邪悪な人間たちの思惑が渦を巻く。

In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.

本作は、宗教心の強い母親に守られている内気な少女キャリー・ホワイトが、卒業パーティーで無理をした結果、小さな町に念動力の恐怖をもたらすという古典的なホラーストーリーを再構築したものです。

In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.

Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.

Warren Stacy, an office equipment repairman, begins murdering women after they reject his advances. To minimize the evidence, Stacy always kills while naked, wearing nothing but gloves, and further evades the law with his strong alibis. Veteran detective Leo Kessler is convinced of Stacy's guilt and begins using questionable methods to catch him.

互いに大事な人を殺し、運命的に出会ったふたりの女の子。意気投合し、あてのない逃避行の旅に出る。現金や銃を強奪し、男を誘惑してセックスしては殺していく“無敵のガールズ”ナディーヌとマニュの行き着く先は…。

婚約者を切り刻まれた国家情報院の捜査官の男が、快楽殺人者である犯人の男を突き止める。彼はその男を昏倒させ、GPSカプセルを飲み込ませた後に解放。その後も罪を犯し続ける男に対し、残忍な復讐を仕掛けていく。

パットがボーカルを務めるバンドは、車のガソリン代にも事欠く、売れないパンクバンド。彼らが極貧ツアーの中、ようやく出演することができたライブハウスは、なんとネオナチの根城だった。パットとバンドメンバーは、そこで殺人の現場を目撃してしまい、ネオナチ軍団から命を狙われる事態となってしまう。圧倒的に不利な状況で、グリーンルーム（英語で「楽屋」の意味）に閉じこもったパットたちは、アイデアと反骨精神を武器に極悪非道なネオナチ軍団に立ち向かう。

ある日突然、密室に閉じこめられた6人の男女。それは正方形の巨大な立方体（CUBE)だった。いったい何のために作られたものなのか、なぜ自分たちが閉じこめられたのかは誰も知らない。脱出方法は6つあるハッチのいずれかを選び、同じ立方体でつながっている隣に移動しながら出口を探す以外ないが、いくつかの部屋には殺人トラップが仕掛けられていた。そんな中、やがて彼らは安全な部屋を示す“暗号”に気づく。

国民の憎悪を発散させ、それによって治安を維持しようと、アメリカ政府は1年に1晩だけ殺人などの全犯罪を認める日、パージを制定する。その日を迎え、家路を急ぐものの車がパンクしたために街をさまよう夫婦。何者かに襲われ、拉致されそうになる母娘。武装した男に救われた彼らは、協力し合いながら無法地帯となった街からの脱出を試みる。次々と襲い掛かってくる殺人者たちを倒していく。

ロサンゼルス市警察の911（緊急通報用電話番号）のオペレーター・ジョーダンは、不法侵入者に怯える少女レイアからの緊急電話を受けた際、わずかな判断ミスにより彼女を救えず（携帯電話が切れた時のジョーダンからの発信音で少女は男に見つかり、誘拐され殺害されてしまう）、自責の念に苛まれ、オペレーターを辞める決意を固めた。 その半年後、研修生の指導にあたっていたジョーダンは、何者かに拉致されて移動する車のトランクの中から助けを求める少女ケイシーの緊急通報を受ける。彼女はシリアルキラー（病で頭髪が抜けながら死んだ姉と同じ少女の美しい金髪に執着する狂人）に誘拐されて彼が運転する車のトランクに閉じ込められ、その中から緊急通報してきたのだ。経験豊富なジョーダンは、すぐにケイシーが緊迫した状況であることを察知、彼女に指示を与える。 やがてジョーダンは、ジョーダンに捨て台詞を吐いたその誘拐犯マイケル・フォスターの声が、レイアを拉致した殺人鬼と同じである事に気付き、自身の葛藤を抱えながらケイシーの救出に乗り出していく。

Four adopted brothers return to their Detroit hometown when their mother is murdered and vow to exact revenge on the killers.

心に傷を負った流れ者ポールが「バレー・オブ・バイオレンス」と呼ばれる町デントンにたどり着く。その町で些細な事で悪徳保安官補佐ギリーとトラブルになり町を出るが、ギリーに寝込みを襲われて愛犬を殺され、自身も殺されかける。ポールは復讐を誓いデントンに舞い戻る。そして、血の雨の降る激闘が始まるのだった。

昼はホームセンターの従業員。夜は世の悪人を葬る仕事請負人。二つの顔を合せ持ち、19秒で世の不正を抹消するイコライザーことロバート・マッコールが帰ってきた。日米でスマッシュヒットとなった前作『イコライザー』から4年、昼はタクシードライバーとして働く今作でも、彼の仕事の流儀は変わらない。世の不正を裁くのに必要な時間は19秒。身の回りのモノを武器に変えて完全抹消。報酬はなし。 しかし、無双の戦闘スキルで仕事を完遂してきたイコライザーに、その流儀さえも脅かす最大の難関が訪れる。何故ならば、今度の敵は自分と同じ特殊訓練を受けた《イコライザー》だった―。

A canoe trip down the river Kolpa becomes a journey of discovery for three female students.

Francine is released from prison and settles down in a small town. She is unable to regain a foothold in society and turns to animals for comfort.

A film that reveals the personal stories of Americans willing to risk their lives for a country that criminalizes the act of coming out. Current and veteran gay soldiers reveal how "don't ask don't tell" affects them during their tours of duty, as they struggle to maintain a double life. The film also follows gay veterans and young organizers turning to forms of personal activism to overturn the policy.

In 1994, four women were accused, tried, and convicted of the heinous sexual assault of two young girls—as one newscaster puts it, “the modern version of the witchcraft trials.” Twenty years later, the four women have maintained their innocence, insisting that the accusations were entirely fabricated, and borne of homophobic prejudice and a late-’90s mania about covens, cults, and child abuse.

Women (many of them lesbian) artists, writers, photographers, designers, and adventurers settled in Paris between the wars. They embraced France, some developed an ex-pat culture, and most cherished a way of life quite different than the one left behind.

An intimately observed love story, LOVE LIFE carefully examines the sexually secretive marriage of Joe and Mary Hahn. When a passionate extra-marital encounter leaves Joe with an emotional connection he can't break - and when a beautiful friend from Mary's college years resurfaces with her own agenda, the marriage of convenience begins to crack, revealing the truth, strength and hope buried within all of them.

A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess.

The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.

Ruža left Serbia, her country, over 30 years ago and lives in Zurich. Her daily life is a string of repetitive moments until, one day, Ana arrives on the scene and upsets Ruža's painstakingly organized world. A subtle friendship develops between the two strong willed women.

With things growing a bit stale in the bedroom, lesbian couple Claudia and Dylan agree to seek sexual experiences outside their relationship. Dylan discovers new pleasures at a sex club, while Claudia, in drag as Claude, finds a surprising partner

A history of Maud's, a San Francisco lesbian bar that stayed open from 1966 to 1989.

Through the prism of a beauty pageant staged by female inmates of a Siberian prison camp emerges a complex narrative of the lives of the first generation of women to come of age in Post-Soviet Russia. Miss GULAG explores the individual destinies of three women: Yulia, Tatiana, and Natasha, all bound together by long prison sentences and circumstances that have made them the vigilantes of their own destinies. For these women, undoubtedly, life is harsh under the constant surveillance of UF-91/9, but it is no less so on the outside. Today they, their families, and loved ones are sustained by hope for a better life upon release. This is a story of survival told from both sides of the fence.

High School basketball coach, Dinah Groshardt, falls for the school secretary, Carly Lumpkin, and upsets the entire school in the process.

A young married woman who is desperately unhappy is tempted into a lesbian relationship with an interior decorator.

In this fun, filled romp, Mecha and Ophelia, a couple, are going through a crisis caused by a third woman. Mecha decides to get over it and swears to Ophelia that she'll stop seeing her lover. After a few months, she realizes she can't do it. Ophelia can't leave Mecha either, and decides to find a lover herself. Events take the most unexpected of turns for Mecha, who realizes her angst persists, and starts to suspect it has nothing to do with love...or does it?

Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers.

The story of the on / off relationship of high school lovers Carmen and Jen. Sometimes surreal but always sexy, this short film places the spotlight on relationship blues in a palette of dayglo pink and blood red.

Alex is in love with her best friend, Vicki, her mother has dissapeared and she sets fire to things in her spare time. Vicki comes from an abusive home and wants Alex to run away with her. Alex is a bit of a nerd and a teachers pet, so takes advantage of this by trying to seduce her drippy school teacher. Alex watches as Vicki, unable to escape her terrible homelife and an psychological wreck, sets alight to herself and burns to death.

Two middle-aged lesbian couples accidentally kill a younger girl and decide to cover it up. But their crime comes back to haunt them when an unexpected stranger appears in their lives, bringing tension and discord.

Zoe's regimented life is thrown into upheaval when she unexpectedly falls in love. In doing so, she is faced with making a series of choices whose outcomes not only impact on her independence but on the relationships with those most important to her.