River of Fundament (2014)
ジャンル : ドラマ, ファンタジー, ホラー
上映時間 : 5時間 10分
演出 : Matthew Barney
シノプシス
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
A GI on furlough attends a Folies-Bergères show. He falls in love with a dancer, Claudie, the star of the theater.
A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island of pirates and encounters a man with multiple personalities.
PRELIMINARY EVENINING OF THE RING CYCLE. Upon the banks of the ageless river Rhine, the Rhinemaidens play. Alberich, a Nibelung dwarf, tries vainly to seduce one of them. To taunt him, they reveal their secret: out of the gold they guard one can forge a Ring to rule the world, but at the cost of giving up Love forever. Alberich steals the gold, makes the ring and plans his world take-over. Meanwhile, Wotan, King of the Gods, must figure out how to finance the construction of Valhalla. He has promised his sister-in-law as payment to the giant construction workers led by Fafner, but his wife Fricka disapproves. Loge (God of Fire) tricks Alberich and brings him to Wotan, who takes the Ring. In revenge Alberich curses it: lack of the Ring will fuel desire for it and possession will only lead to misery. Wotan gives the Ring to Fafner as ransom for Fricka's sister. Filmed at the Bayreuth Festspielhaus in June & July 1991.
SECOND DAY OF THE RING CYCLE. Alberich's brother Mime raises the orphan Siegfried, hoping that Siegfried will kill Fafner and enable Mime to gain the ring. Mime attempts unsuccessfully to reforge the Nothung. Fulfilling prophecy, Siegfried reforges the sword himself and kills Fafner, who has the form of a dragon. When he accidentally tastes the dragon's blood spilt on his hands, Siegfried understands the song of a woodbird, who instructs him to take the Ring from Fafner. Reading Mime's thoughts of betrayal, Siegfried kills the dwarf as well. The woodbird also informs Siegfried of a mysterious woman asleep in the midst of fire, and Siegfried sets off to find her. After defeating a disguised Wotan and breaking his spear, Siegfried successfully awakes Brünnhilde, and the two fall in love. Filmed at the Bayreuth Festspielhaus in June & July 1992.
THIRD DAY OF THE RING CYCLE. Günter, the lord of the Rhine people, gives Siegfried a love potion that causes Siegfried to forget Brünnhilde and fall in love with Günter's sister Gutrane. Siegfried has given Brünnhilde the Ring as a token of their love, but her Valkyrie sister urges her to destroy it, because their father Wotan has lost his spear and power and is hiding out in Valhalla. Instead, Brünnhilde keeps it, and under the influence of the potion, Siegfried steals it from her. Enraged, Brünnhilde helps Alberich's son murder Siegfried, but Siegfried's memory returns, and he dies thinking of Brünnhilde. Brünnhilde repents and orders a funeral pyre to be built. She rides into the fire herself, and the Rhinemaidens get the ring back. The story closes with flames flickering about Valhalla in the background. Filmed at the Bayreuth Festspielhaus in June & July 1991.
This is a beautifully conducted and thoughtfully staged performance of the first opera (the prologue) in Wagner's Ring Cycle. As soon as the clouds of mist have dissipated, while the daring, long-held opening chord is still reverberating, the screen clears to show not only the River Rhine and the three maidens (dressed like prostitutes in this production) assigned to guard the gold hidden there. It also shows an enormous dam (not mentioned in Wagner's text). This is the underwater base of a hydroelectric plant, and its presence tells us two things immediately: that this production takes the story out of the vaguely medieval fantasy world in which Wagner had placed it, and that a basic theme of the four-opera cycle would be power. Alberich, the Nibelung, is willing to renounce the love of women, after stealing the gold from the Rhine, to become the ruler of the world. Another basic theme is greed.
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A poor composer who should buy a property for his ambitious father-in-law finances with the money, nevertheless, an opera. Together with his friend who must play a husband to his strict rich aunt, he makes to himself a fun from the mistakes which cause her feints.