Barcelona, Lament (1990)
ジャンル : スリラー
上映時間 : 2時間 5分
演出 : Luis Aller
シノプシス
A young man named Pau Arrese, maintaining a relationship, somewhat deteriorated, with a girl (Gloria), seen as the reins of his life escape him, when, after a series of unfortunate incidents, ends up in jail. Inside prison, he become sortta friend a with David Velasco, a guy who lives on odd jobs done for a certain mobster. After being released, Pau will be involved in some rackets, with David and other gangsters, that will lead him to the lowest point of his existence.
ある嵐の夜、イタリアの漁船が洋上に漂う意識不明の若い男を発見する。引き上げられたその男の背中には弾痕があり、皮下にはマイクロカプセルが埋め込まれ、それにはスイスの銀行の口座番号が印されていた。男はなんとか息を吹き返すが、記憶を失っており、自分の名前も分からない状態だった。数週間後、彼は身元の唯一の手掛かりであるスイスの銀行に向かう。その貸金庫にはジェイソン・ボーン名義を含め6ヵ国のパスポートや大金、そして拳銃が入っていた。やがて暗殺者たちに狙われ始めた彼は、偶然出会ったマリーの協力を得てパリへと向かうのだった。
バルセロナのアパートで住み込み管理人として働いているセサルは、住人のクララに一目惚れしていた。セサルは合鍵を自由に使える立場を生かしてクララの部屋に忍び込み、ベットの下で息を潜め、クララを待つようになる…
A blind woman's relationship with her husband changes when she regains her sight and discovers disturbing details about themselves.
Barcelona, Spain, 1921. A tough cop from Madrid arrives in the city to locate, under the suspicious scrutiny of corrupt local police officers, a significant amount of military weaponry stolen from a train, allegedly by revolutionary anarchists.
Years ago, a cruel and merciless nun turned a boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae are being brutally murdered one by one.
バルセロナを舞台に四角関係の恋愛を描いたロマンティック・コメディ。アメリカ人女性ふたりとスペイン人の画家、そして彼の元妻が各々の個性や恋愛観のもとに駆け引きを繰り広げる。スカーレット・ヨハンソンやハビエル・バルデムなどの演技に注目の一作。
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In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later
マドリードに住む移植コーディネーターのマヌエラは、作家志望の息子・エステバンを女手一つで育ててきた。エステバンの誕生日、二人は『欲望という名の電車』の舞台を観に行く。そして、マヌエラが息子に今まで話さなかった父のことを話そうと決心したとき、エステバンは舞台の主演だった大女優ウマ・ロッホにサインをもらおうとして車にはねられ、そのまま亡くなってしまう。 息子の死を行方不明となっている父に伝えるため、バルセロナへ旅立ったマヌエラは、ひょんなことから息子の死の原因となったウマの付き人になる。バルセロナでマヌエラは、ウマのレズビアンの恋人で麻薬中毒の若手女優・ニナ、性転換した明るいゲイの娼婦・アグラード、エイズを抱えて妊娠した純朴なシスター・ロサ、その母親でボケの進んだ夫に手を焼く厳格な贋作画家、そして、今では「ロラ」という名の女性となりロサにエイズをうつした、息子と同名の元夫といった様々な女性たちと出会い、やがて人生への希望を取り戻していく。
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バルセロナの片隅で、二人の幼い子供たちとひっそりと暮らしているウスパル。ある日、突然の末期ガン宣告を受けた彼は、余命の2ヶ月を子供たちのために生きようと決意する。巨匠イニャリトゥ監督が放つ感動作。
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